由专筑网邱媚，刘庆新编译

来自事务所的描述。我们的一位建筑设计师朋友，因为正忙于自己的工作，所以介绍我们事务所来负责此次建造设计。其实客户早已自己动手建造，但不久后发现并不理想，即找设计师来实现他想达到的水平。

From the architect. We were actually recommended to the clients by our friends who are also architects but were too busy to take on the jobs themselves. The clients had already started building the house but after a while they  had started to  search for another Designer/Architect to take the project to a new level and achieve the new ideas the clients had envisioned.

© Rupajiwa Studio

客户以前房子的建造模仿的是15年前流行的巴厘岛风格。这次他想要尝试不同的风格，所以采用了现在流行的建筑工业外观，采用了混凝土和砖块外观元素。但是客户（尤其是李船长）对复古的东西情有独钟。他主要在中国工作，因此接触到很多复古的东西。他甚至买回来了一台二战时期俄罗斯的摩托车。

The clients’ earlier house was built in the Tropical Balinese resort look which was popular about 15 years ago.  For the new house, the clients wanted something different so they attempted to build the house in the currently popular raw/industrial look with fair face concrete and fair face brick wall elements.   But the clients (Captain Lee in particular) also had an affinity of all things retro and vintage. He was based in China for work and thus had access to a lot of retro products. He even brought back a vintage World War II Russian motorbike with side car!

© Rupajiwa Studio

所以他们想要别墅体现出明确的复古主题（或者表现相似的主题），特别是在室内设计上。于是他们见面后，设计师们给客户看我们正在进行的项目，结果大家一拍即合。

So they wanted the house to  have a fairly retro theme (or themes as it turned out!) to it, especially for the interiors.  We met, took the clients to see some of our ongoing projects and we hit it off!

© Rupajiwa Studio

第一次看的时候别墅的建筑框架已成型——所有的水泥架构、屋顶和大部分的墙已经完成。仅剩下未安装的窗户，正在中国运过来的途中。客户也已经在中国预订了高质量的双层玻璃窗和房门，由当地承包商安装。设计师们去了一趟广州与供应商见面并在那里寻找还有什么好的材料可以利用。

When we were brought in, the house was already complete structurally – all the concrete structure, roof and most walls were done. The windows were not in yet – they were enroute from China! – the client  had really good quality double glazed windows and doors ordered and manufactured in China and sent to Malaysia to be installed by the main contractor here.  We made a trip to Guangzhou as well to meet up with the supplier and check out what other cool building materials/ components we could get from there.

© Rupajiwa Studio

设计师们必须让别墅看起来是一个完整的个体，除非万不得已，不打算做出对已完成工程的太大改变。客户已经找来一位餐厅设计师解决干湿厨房的划分。设计师们重新考量了整个空间，调整一些墙体的位置，重设整个电路和照明布局，重新设计了所有的洗手间，推荐加入了一些新的元素如栅栏，屏幕，镶板，定制灯具和其他建筑装置。

We had to assess the house as a whole, if possible try not to change too much unless it was really necessary to make the spaces work better. Clients had already engaged a kitchen specialist to sort out the dry and wet kitchens. We re-looked at all the spaces, adjusted some walls here and there, redid the entire electrical and lighting layouts, redesigned all the bathrooms, and also proposed additional elements such as railings, screens, panelling, custom lights and other architectural devices.

© Rupajiwa Studio

Ground Floor Plan/底层平面图

设计师设计的项目最出彩的部分让博学广识的客户都感到不可思议！事实上客户在中国找到了不少异域风情家具，并且成本也不高，这让整个装饰更加吸引人。

The really best part of this project was we had really quirky clients(!!) who like so many different things and anything could be possible!  And the fact that the clients had access to getting fairly exotic components sourced and manufactured quite inexpensively from China made it all the more appealing!

© Rupajiwa Studio

别墅本身并没有真正的基本设计理念，但客户给不同部分都赋予了一个主题。别墅的设计从设想和设计师与客户之间不懈的沟通中产生。设计师们和客户对装饰都极其慎重——一些在网上或者杂志中看到的或者客户在中国的精品店里面看到的，他们会给对方发图片，会说“这些看起来真不错！”“就做这个吧！”——这就是整个设计过程。

There was no one real underlying concept per se for this house but the client ended up themeing different parts/areas of the house.  The design of the house also evolved from ideas and discussions going back and forth between us and the client.  Either the clients or us would come across something  interesting – like something we saw in a magazine/online or they in a shop in china ,and we’ll start sending pics to each other and be like “this is cool!!! lets do this!!!”  – that’s pretty much the design process!!!

© Rupajiwa Studio

有趣的是，结构形式上是折衷主义的，但内容上很丰富。

The interesting thing is, the house could actually take the variety and ecclecticness of it all. It became a house which was very rich in content.

© Rupajiwa Studio

First Floor Plan/一层平面图

一楼的露天休息区和长台是由客户提出来，是香港殖民地时期和古典派的风格的结合。黑白相间的竹子是受马拉西亚殖民统治时期的影响，同时休息区的三面有传统切割的几何陶瓷和线条匀称的中国风黑色边框栅栏。客户设法找来了靠背椅和抬脚凳，设计师们重新设计，将客户的一个博古架移到了长台上。

The first floor outdoor lounge and bar, was envisioned by the clients as a marriage of both colonial and classical Hong Kong themes. The black and white intervals of the bamboo blinds portrays the colonial influences in Malaysia , whilst custom cut geometrical ceramic tiles and symmetrical Chinese influenced railings in black lines three sides of the lounge. The client managed to source for old barber chairs as the bar stools and we re-jigged an existing vintage cabinet he had into a bar cabinet.

© Rupajiwa Studio

顶楼的风格受密斯凡德罗的巴塞罗那馆的影响，衣柜的门板采用了巴塞罗那馆的重要设计元素设——石灰华，作为房间的背景。在完成设计和采购材料以后，发现造价太高而且搭配复杂。所以决定放弃了一些设计想法。

The top floor was orignally inspired to look like Mies Van der Rohe’s Barcelona Pavilion and we had the idea to actually make his wardrobe door panels out of the signature travertine used in the Barcelona Pavilion so they became the backdrops to the rooms. After developing the design and sorucing the material, it turned out to be too expensive and complicated a feat. So we decided to scrape the idea.

© Rupajiwa Studio

李上校曾在中国偶然遇到了能在衣柜门上打印整幅图案工艺的供应商，所以产生了定制图案的想法。孩子们对音乐的爱好能从这些衣柜上面两个大型黑色图案上看出来——潮流天王Jimi Hendrix和 Jim Morrison。设计师们编辑了上面的图案然后送去中国制作。设备在当地由当地的室内设计公司承包完成。

Captain Lee then came across a wardrobe supplier in China who could print full size graphics on  wardrobe doors so thats when he got the idea of printing custom graphics on them! So in the end the children’s love for music was aptly represented by these built in wardrobes with large silhouettes of the two great music legends – Jimi Hendrix and Jim Morrison!! We dug up and editted the images to suit which we sent to China to be fabricated. The installations were done here by the local interior contractor.

© Rupajiwa Studio

Section 1/剖面图1

主人房浴室前面的屏挡作为浴室的一个刻面和有机组成部分，事实上早已有了大致的构思。由于造价和工程先后问题而延误了，又进行紧急施工。所以屏风在安装之前才弄好。设计反复修改直到不超出客户预算为止。后来它变成了着色的水泥板镶嵌在钢框架上的结构。当它完工时大家都很兴奋。它看起来像新加坡卢卡斯的电影总部的一部分（星球大战中贾瓦人在塔图因可移动的房屋）。屋子的外观看起来很像用了耐候钢。这是设计师们设计的特色之一——让廉价的材料看起来高档。

The main master bathroom screen at the front was actually conceptuallized a lot earlier as a facetted and fairly organic formed skin around the master bathroom. It was delayed and pushed to end due to costs and also because the client wanted to prioritise moving into the house first. So the screen was the last thing to end up being installed. We had to revise the design many times until we came up with a design that suited the clients’ budget. It became a steel framed structure, clad with stained cement board. When it was complete  – we were all so excited! It really looked like part of the Sandcrawler (the Jawas’ mobile home in Tatooine from Star Wars). It also really looked like we clad the house with corten steel! That’s one of our specialities -  we can make inexpensive material look really expensive!!!

© Rupajiwa Studio

一楼主人房前面的露台和室外游泳池旁悬浮的台阶玻璃桥连接。从入口处的门厅往上看，桥上的磨砂玻璃板透着阳光照射下来的阴影。

The glass bridge links the 1st floor terrace towards the master bedroom and the external floating steps from the poolside. Looking above from the entry foyer , frosted glass panels over the bridge permeates shadowy silhouettes.

© Rupajiwa Studio

原本光秃的水泥旋梯镶嵌了黄铜和薄板双层护栏，上面还安装有一些垂吊的照明灯。

The original bare concrete spiral staircase are fitted with brass inlays and encased with thin ex-met panels for railings and fine rods that houses several downward lights.

© Rupajiwa Studio

上世纪七十年代的上海电视剧场景影响了别墅几个重要的设计元素，主要是车道上全高的旋转古铜色镶板。古铜色的原外观和黑色侧面产生了一种鲜明的对比。

70′s Shanghai soap opera scenes dictates several notable elements across the house , mainly the driveway full height swivel bronze panelling, the lounge railings .The elements are clad/ built in bronze creates a contrasting palate against the raw finishes and black profiles.

© Rupajiwa Studio

从旧马来西亚商店借鉴来的元素，从金属折叠门/商店的拉门和儿童卧室，再到“V”形侧杆，成为别墅的特色。

Elements from the old Malaysian shop houses are borrowed, from the folding metal sliding doors /sliding grills of the storeroom and children’s bedroom floor to the “V” profile railings that’s prominently featured across the house.

© Rupajiwa Studio

Second Floor Plan/二层平面图

外部门的元素中，不同的主门和侧门借鉴了电影“伟大的盖茨比”中的艺术装饰元素而设计。对称复杂的线打破了单一的金字塔形墙外观。

External door elements , the main and side gates in particular were designed from scenes from the movie “The Great Gatsby” with Art Deco elements. Symmetrical intricate lines that breaks the monolithic outlook of the ” ziggurat”perimeter walls.

© Rupajiwa Studio

客户这些年在中国和巴厘岛淘到的私人古董收藏组成了家具。几件回收来的外貌奇特但恰到好处的收家具和一系列定制家具让人感觉回到了五十年代的美国（很大程度受美剧《广告狂人》的影响）。

Furniture comprised of the clients’ private antique collections acquired throughout the years from Bali and China, several quirky adaptive reused furniture pieces and a series of custom made furniture that takes us back to the American 50′s era (heavily inspired by Madmen tv series)

© Rupajiwa Studio

树木的侧影柔和了室外生硬的景观，后面的儿童蹦床给孩子们带来了欢乐。

Thin profile trees softens the outdoor hardscape, with a trampoline at the rear for the children’s to have fun exercise !

© Rupajiwa Studio

Section 2/剖面图2

不同的楼层外观产生了一个视觉分离：低处的印度绿，一楼的紫罗红和二楼的大地色。

Three different floor finishes creates a visual separation of each floor. India green for the lower grounds, rosa levanto for the first and cement flooring for the 2nd floor.

© Rupajiwa Studio

设计师想尽可能地采用自然通风，但在一部分区域特别是在楼上的房间，在设计师到来时已经安装好了中国定制的玻璃和窗户。幸运的是它们是双层板的，所以室温不会变化很快。一般区域和一楼都是自然通风。高天花板、中央庭院和许许多多的玻璃窗让别墅处于良好的采光条件中。

We tried to incorporate as much natural  cross ventilation as possible but were unable to at some areas especially the rooms upstairs as the glazings and windows were all ordered and fabircated in china when we were engaged.  Luckily they were double glazed panels so the heat gain was not so drastic in the rooms. The common areas and ground floor are all very well natural ventilated.  The high ceilings, central courtyard and  loads of glazing help in terms of natural lighting.

© Rupajiwa Studio

© Rupajiwa Studio

Elevation 1/正面图1

Elevation 2/正面图2

Elevation 3/正面图3

Elevation 4/正面图4

建筑设计事务所: Seshan Design
项目地点: 马来西亚 雪兰莪州 莎阿南 萨加纳
面积: 6070.0 平方英尺
摄影: Rupajiwa Studio
项目团队: Azlan Syarawi, Jeslyn Ko, Amin Madhadzir, Ramesh Seshan
总承包商: SmartHome Construction Sdn Bhd
室内/钢结构设计和外墙承包商: Kiara Orbit Sdn Bhd
建模: YWK Consultants Sdn Bhd – Ar. Chai Chin Foo (签约建筑事务所)

Architects: Seshan Design
Location: Saujana, Shah Alam, Selangor, Malaysia
Area: 6070.0 ft2
Photographs: Rupajiwa Studio
Project Team: Azlan Syarawi, Jeslyn Ko, Amin Madhadzir, Ramesh Seshan
Main Contractor: SmartHome Construction Sdn Bhd
Interior / Specialists Steelworks And Cladding Contractor: Kiara Orbit Sdn Bhd
Original Architect: YWK Consultants Sdn Bhd – Ar. Chai Chin Foo (signing architect)

出处：本文译自www.archdaily.com/，转载请注明出处。