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静默空间丨黎巴嫩贝鲁特的粉色庇护所第1张图片

贝鲁特公路旁的粉色庇护所
All-pink Silent Room creates quiet sanctuary beside a Beirut highway

由专筑网李韧,杨帆编译

黎巴嫩设计师Nathalie Harb在黎巴嫩贝鲁特设计周设计了一个粉红色小建筑,为当地的居民带来了一份宁静。

这个被称为静默空间的粉红色木结构坐落在贝鲁特一条繁忙公路的停车场旁。

Lebanese designer Nathalie Harb created this pavilion for Beirut Design Week to give residents of the city access to silence.
The pink wooden structure, dubbed the Silent Room, sits on a parking lot beside a busy highway in Beirut.

静默空间丨黎巴嫩贝鲁特的粉色庇护所第2张图片

这个小建筑的目的是为居民和游客提供一个“蚕茧般的环境”,让他们可以逃避繁忙的交通、嘈杂的建筑工地、扰人的电子器乐以及人群周围的噪音。

值得注意的是,“静默”似乎成为“一种特权,只有少数人才能拥有”, Harb设计的这个静默空间向公众免费开放,每个人可以有30分钟的时间在其中沉淀心灵。

It is intended to provide residents and visitors with a "cocoon-like environment" to escape the surrounding noise from traffic, construction sites, electronics and crowds.
Noting that silence is "an exceptional privilege only a few can indulge", Harb has opened the Silent Room to the general public to access for free, individually, for up to 30 minutes at a time.

静默空间丨黎巴嫩贝鲁特的粉色庇护所第3张图片

“我们的城市经常处于这样一种环境中:越是贫瘠的社区越是处于严重的噪声污染之中,它们常常位于道路两侧、机场附近,甚至工厂旁边。”Harb说。

“城市隔离可以通过整个城市的噪音变化来反应。不同阶层的人们所经受的噪音污染代表了社会的不公正。”

"Our cities are often configured in such a way that underprivileged communities are the most affected by higher noise pollution – think roads, airports, industry," said Harb.
"Urban segregation can be mapped through noise variations across the city. Noise pollution, as experienced differently between rich and poor inhabitants of the city, represents a social injustice."

静默空间丨黎巴嫩贝鲁特的粉色庇护所第4张图片

Harb曾与伦敦的建筑团体BÜF创造这种构件。

她还呼吁声学设计师Khaled Yassine创造一种音乐空间,但这并不是真正的静默。与噪音相反的是,这种静默空间是基于城市的记忆所形成的最安静的一小时空间。

Harb worked with London-based architecture collective BÜF to create the structure.
She also called on sound designer Khaled Yassine to create a soundtrack to the space, which is not actually silent. Instead, to counter the noise bleeding in from outside, the Silent Room plays a composition based on recordings of the city at its quietest hour.

静默空间丨黎巴嫩贝鲁特的粉色庇护所第5张图片

静默空间丨黎巴嫩贝鲁特的粉色庇护所第6张图片

这个粉红色的装置是色彩的凝固篇章,这种手法在2017年米兰设计周上十分常见。Harb是一位装置设计师,她通常选择用冷色色彩完成作品。

The installation is painted in a shade of pink, which is something of a colour of the moment and was widely seen at Milan design week 2017.
Harb, who works primarily in set design and installations, chose the hue to challenge the usual association of calm with cool colours.

静默空间丨黎巴嫩贝鲁特的粉色庇护所第7张图片

“粉色是柔和的颜色。”Harb告诉Dezeen记者,“这种色调最接近皮肤或胚胎图像。”

“它在某种程度上是一种意想不到的静默色彩。”

"The colour pink is a soothing colour," Harb told Dezeen. "Its hue is the closest to the skin or images of the embryo."
"And it is somehow a colour unexpected for silence, usually associated with more austere colours."

静默空间丨黎巴嫩贝鲁特的粉色庇护所第8张图片

这个静默空间将一直公开展览到5月27日,在这之后,Harb会将其重新安置到其他城市进行展览。

该区域位于贝鲁特设计周的主办会场KED附近。KED会场的展览计划包括有Speculative Needs,这是一个学生的概念项目,用以展示人们未来反乌托邦的产品需求。

The Silent Room will remain in place at the parking site between Mar Mikhael and Burj Hammoud until 27 May. After this, Harb will look at reconfiguring the installation for other cities.
The site is near the main Beirut Design Week venue of KED, which hosted exhibitions until 26 May. KED's programme included Speculative Needs, an exhibition of conceptual student projects anticipating the products humans might need in a dystopian future.

静默空间丨黎巴嫩贝鲁特的粉色庇护所第9张图片

冥想空间是近期各大设计周反复出现的主题。

Asif Khan于2016年底在伦敦设计周购买了一个三片叶状森林凉亭,而SHoP 建筑事务所的作品则如同一个身临其境的陶土装置,旨在为今年米兰设计周的游客带来片刻的惊喜。

摄影:Raintree

Calming and meditative spaces have been a recurring theme at recent design weeks.
Asif Khan bought three leafy Forest pavilions to the London Design Festival in late 2016, while SHoP architects' Wave/Cave was an immersive terracotta installation intended to give visitors to this year's Milan design week a moment of solace.
Photography is by Raintree.


出处:本文译自www.dezeen.com/,转载请注明出处。

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