Bored House / Cynthia Seinfeld

由专筑网韩平，李韧编译

该项目的展开始于对三代同堂家庭关系的重新解读。通过长时间的交流，建筑师将家庭活力纳入设计元素,但是最重要的是家庭成员的期盼和渴望。设计必须长远地考虑到未来家人可能从事的职业以及家庭关系的发展。

The project starts by understanding family relationships FORMED BY three different generations. Through long conversations, they transmit family dynamics as part of their "memory", but above all, of their longings and desires. The proposal must cover all of them foreseeing new forms of occupation and unexpected relationships.

几十年的不断发展形成了利马的这片住宅区，项目窄小的基地上还有两堵分隔墙，但城市的其他地区在这几十年间却在不断变化。所有的空间集中在场地中央的体量上，通过严格的组织充分利用前后剩余空间。这些提取手法能够有预见性地建立未来建筑与环境之间的关系，尽管目前的场地空间并不充裕，但是却是在不断变化之中。

The reduced lot and between dividing walls is located in a mono-functional residential district of Lima consolidated several decades ago, but in a changing process as many areas of the city. We concentrate the volume in the middle of the lot, discounting previous and subsequent withdrawals of a strict regulation. These withdrawals allow us to establish future location relationships with the environment that does not currently have much wealth, but is in constant mutation.

所以，建筑师最大化利用基地的可用面积，将所有的体量集中在一个简单的立方体上。基地面积为300平方米，建筑面积为750平方米。休息和服务功能集中在不同楼层的周边区域，通过立面上的开窗可以保持建筑与街道之间的关联。

Thus, we trace the volume reducibility to a simple and primary cubic entity occupying the maximum allowed and available lot. This lot has 300 square meters and the program amounts to 750 meters. The functions for rest and services are concentrated in the perimeter areas of the first, second and third floors, allowing to trace the boundaries with the street through a controlled opacity in the facades

集体家庭聚会的空间位于空间内部，通过空间序列进行组织，通高开放空间，从天空一直到建筑的各个楼层依次叠加，这样使用者在空间内活动也不会感受到束缚，他们能够自如地交流相处。因此，这为空间增加了不确定性，它们可以灵活改变、转变甚至重新定义功能。

The spaces for collective family gatherings are located towards the inside, through spatial sequences: voids that are superimposed in the direction of the sky through all the levels of the project, so that in each space the presence of the other and the relationships are experienced through spaces in movement. In these, there are no established certainties they can change, mutate or redefine.

建筑师在这里将空间的连续性理解成消除边界的可能，或者一种可以将室内和室外同质化的操作，所以这里的住户可以自己定义或者重新定义他们的精神和生理状态。因此，私密关系不意味着孤单或者独处，集体生活有时也需要一些亲密的互动。

We understand this spatial continuity as the possibility of erasing boundaries, as an operation that allows a symbiosis between the interior and exterior, so that its inhabitants can define and redefine their spiritual and physical state. Thus, it will be possible to discover that maybe intimacy does not mean loneliness or being apart, and that collective life can sometimes require a state of intimacy as well.

混凝土是一种适应性极强的材料，脱模后，模具在其表面留下了深深的印记，随着太阳轨迹的变化，其表面的阴影也不断变化。建筑与道路之间的缓冲空间，建筑师使用减法的手法将这里设计成了阳台，同时还使用了另一种木材作为装饰。

The applicability of concrete, whose formwork leaves a deep impression on the material, allows a reading that mutates according to the shadows depending on the sunpath. Intermediate spaces with the street, meaning balconies, are treated with another materiality, such as a trace left by subtracting the volume, by using wood.

建筑事务所：Cynthia Seinfeld
地点：秘鲁，利马
主创建筑师：Verónica Aguirre, Pamela Apaclla
景观设计：Titi Laurie (ECOART)
建筑面积：750.0 m2
项目年份：2016年
建筑摄影：Juan Solano Ojasí
制造商：D'Amato
, Decor Center

Architects: Cynthia Seinfeld
Location: Lima, Peru
Architect in Charge: Cynthia Seinfeld
Development Architecture: Verónica Aguirre, Pamela Apaclla
Landscaping: Titi Laurie (ECOART)
Area: 750.0 m2
Project Year: 2016
Photographs: Juan Solano Ojasí
Manufacturers: D'Amato
, Decor Center