Madre de Dios 修道院的当代艺术空间
Contemporary Art Space in the Former Convent of Madre de Dios / Sol89

由专筑网王沛儒，杨帆编译

来自建筑事务所的描述：人们将插入的建筑物---一个古老的修道院，解释为一个随着时间推移而不断变化的环境。这个项目是对当代艺术创作过程的反思，探讨其不可预知的状态，以及目前生产与展览空间之间对界限的消解。

Text description provided by the architects. The intervention interprets the building where is inserted, an old convent, as a context in constant transformation over time. The project arises from a reflection on the creative process in contemporary art, its unpredictable condition and the current dissolution of limits between the space of production and exhibition.









我们可以发现，许多当代艺术的表达都把建筑空间理解为一种工作（我们记得在2007年，Doris Salcedo打破了在伦敦泰特现代美术馆的地板，Katterin Sigurdardottir的“平面V”造型构成了纽约PS1的假天花板，抑或是一些艺术家拆除了同一个地方的墙上装饰）。

We can recognize that much of contemporary art expression understands the architectural space as a matter of work (we remember Shibboleth by Doris Salcedo breaking the floor of the Tate Modern in London in 2007, High Plane V by Katterin Sigurdardottir occupying the false ceiling of the PS1 in New York or Esto no es un graffiti where artists demolished some facings of walls in the same place of our project).





我们认为当代的展览空间不应该像一个静态的房间一样在时间上被投射出来，而应该像一个永无止境的省略空间，等待着每一个展览来不断丰富它。这种干预就像一个可变和可逆的空间。墙壁和天花板将被木材覆盖、它们之间的分离可以看到原来的砖墙，展现了它们在几个世纪中收到的创伤，这样的现象和分析正如Yourcenar说的一样。

We think the contemporary exhibition space shouldn’t be projected like a static room in time but like a neverending space in ellipsis, waiting for each exhibition come for completing it. The intervention is projected like a variable and reversible space. The walls and ceiling will be covered by slats of wood, the separation between them will allow seeing the original brick walls, showing the textures of the bricks and the wounds caused by centuries that we have discovered in this first phase, that narrate time builds too as in Yourcenar’s quote.







同时，这个与古老墙壁重叠的木质结构将容纳任何进入空间的设施。我们的介入将作为空间的初始装置，而不是建筑的结构。与现有体量相关的临时展览，可以促进未来展览的发展，也可以在后期被拆解。对于这座古老的建筑而言，真正有价值的是物质、空间和光线，而不是风格或装饰。

At the same time, this wooden structure overlapped to the ancient walls will allow the access to all installations in any point of space. Our intervention will act as an initial installation in the space rather than an architectural construction. A temporary display related to the existing volume that enables the development of future exhibitions and could be disassembled like one of these, revealing what is truly valuable in this old building in a patrimonial sense is the matter, space and light rather than styles or decorations.













建筑设计：sol89
位置：西班牙，塞维利亚，圣何塞
主创建筑师：María González, Juanjo López de la Cruz
面积：830.0平方米
项目年份：2014年
照片：Fernando Alda
设施：Alejandro Cabanas
建筑学生：Andrés Pino, George Smudge
建筑公司：Cotracom
发起人：Centro de Iniciativas Culturales de la Universidad de Sevilla

Architects: sol89
Location: Calle San José, 4, 41004 Sevilla, Spain
Author Architects: María González, Juanjo López de la Cruz
Area: 830.0m2
Project Year: 2014
Photographs: Fernando Alda
Installations: Alejandro Cabanas
Architecture Students: Andrés Pino, George Smudge
Building Company: Cotracom
Promoter: Centro de Iniciativas Culturales de la Universidad de Sevilla