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Coldefy and CRA unveil design of France's National Pavilion at Expo Osaka 2025

由专筑网韩慧慧,小R编译

该项目的屋顶设计运用到法国多重生态系统,是该建筑的出彩之处,被称为“自然剧场”,其渐变的景观与步道代表了人与自然景观共生,也隐喻着人与自然之间的关系需被重新。

The project is conceived as a Theatrum Naturae, featuring the gradients of France's rich landscape as part of a looping narrative path. It suggests new entanglements between humans and other forms of life in our cities...

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将在2025年大阪世博会上展览的法国国家馆由法国建筑事务所Coldefy和意大利建筑事务所CRA-Carlo Ratti Associati合作设计,并取名为“自然剧场”。该项目方案的设计理念是展现人类科技与自然环境之间的共生关系,设计宗旨是表达法国如何将人类世界与物质世界联系起来,并强调国家在21世纪对文化与自然环境的贡献度。人们参观建筑的同时还可以看到法国的多重生态系统,该生态系统也成为该建筑的特色部分。

在该项目中,主要设计单位是法国建筑事务所Coldefy和意大利建筑事务所CRA,主要承包商是国际知名设计和建造公司 RIMOND 。当地建筑工程规范标准主要由日本公司Yasui Sekkei提供。

French architecture studio Coldefy and Italian architecture and innovation practice CRA-Carlo Ratti Associati have unveiled the design of the French Pavilion at Osaka Expo 2025, titled ‘Theatrum Naturae’, or “Theatre of Nature”. The project aims to show France’s contribution to culture and the natural environment in the 21st century while illustrating how design can bridge the gap between human and non-human worlds on our planet, welcoming them into our natural and artificial habitats. It brings France's multiple ecosystems to the fore, making them an integral part of the building and the visitors' path.
While Coldefy & CRA developed the design jointly, international design & build firm RIMOND Group acts as the main contractor. Japanese firm Yasui Sekkei provides engineering and local compliance expertise.

“自然剧场”——2025年大阪世博会法国国家馆第2张图片

该项目中的游客观展通道分为三段,即上升、发现自然景观和回归地面。上升阶段是从展馆入口的弧形楼梯开始,楼梯之上是一个观景平台,然后通过门帘进入展馆内部,人们可以在建筑内部尽情探索,室内展览完毕之后游客会被引导向屋顶露台。

A single pathway celebrating human senses takes the visitors through the Pavilion, creating an experience divided into what could be considered three acts: Ascent, Discovery of Nature, and Return to the Ground. Rising from ground level in an "arc de scène", the experience begins by taking a sensual staircase that winds to form an observation balcony before crossing a curtain threshold to create an infinite loop. This loop allows for a complete exploration of the interior space of the building, encompassing its entire volume, before opening onto the verdant terrace.

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游客游览路线的高潮部分是在屋顶露台,屋顶露台被设计成景观花园,该花园中有多种植被物种。游客在参观花园的路径中,能够感受到从法国山区到海岸的不同植被风光。因此,该花园也是设计的重点,能够让参观人员意识到人与自然联系的重要性。

The journey culminates on the Pavilion's rooftop, featuring a landscaped garden crowning the building, resembling a slice of nature serving as a protective barrier above the pavilion—a space of common ground welcoming all living species. As visitors walk through the garden, they take a journey through the different environs of France, from the mountains to the coast. It represents the climax of the narrative, akin to the conclusion of a play that reveals the vital realization of our connection to nature.

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Carlo Ratti是意大利建筑事务所CRA的创始合伙人,现被任命为2025年世博会策划人,他认为在现如今气候危机的背景下,世博会的角色也会改变,需要重新定义人与自然之间的关系。不管是有机层面还是技术层面的人类科技,都可以使得人与自然之间产生多种结合形式。

“As we attempt to address the changing role of expos today in the context of the climate crisis, we must seek new ways to imagine the relationship between the natural and artificial. By combining different forms of intelligence, whether organic or technological, we can redefine connections between people and nature,” says Carlo Ratti, founding partner of CRA and recently-appointed Curator of the Biennale Architettura 2025.

“自然剧场”——2025年大阪世博会法国国家馆第5张图片

法国建筑事务所Coldefy的创始合伙人Thomas Coldefy认为在该项目中,游客既是参与者也是观众,因为他们参观展馆的行为就是人类与自然环境共生的行为。游客游览的结尾部分即花园,也会让人们意识到人与自然共生的重要性。

For Thomas Coldefy, founding partner of Coldefy, “The French Pavilion invites visitors to enter the theater of life. Both actors and spectators in this production, visitors traverse a path through the Pavilion that stages the essential symbiosis between humanity's technological and natural environments, ultimately urging them to become aware of the vital necessity of our connection to nature."

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该方案设计对2025年大阪世博会“赋予生命活力”这一主题进行了有力的回应。展览流线采用环形设计,寓意是将法国人类与物质世界进行有机联系。该设计通过将预制件与自然元素相融合,重申再利用和再循环的良性循环系统,这种设计方法已超出世博会中关于时间概念的框架。

The project is in line with the overarching theme of the 2025 Osaka World Expo, 'Empowering Life.' Designed with a circular architectural approach, the pavilion is not only a red thread linking the many aspects of French human and more-than-human life. It also seamlessly blends prefabricated and natural elements, embedding its existence in a virtuous loop of reuse and recycling that extends far beyond the fleeting timeframe of the World Expo.

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项目信息:
建筑设计:Coldefy & CRA-Carlo Ratti Associati
客户:Cofrex
地点:日本大阪
年份:2023年
规模:净面积3600㎡
Coldefy设计团队:Thomas Coldefy, Isabel Van Haute, Zoltan Neville, Marianna Guarino, Léo Akahori, Leonardo Ronchi, Shuai Wang
CRA设计团队:Carlo Ratti, Andrea Cassi (partner in charge), Ina Sefgjini, Gizem Veral, Jelena Kro, Gabriele Sacchi, Alba Leon Alvarez, Marie Petrault
创意总监:Italo Rota

Architect: Coldefy & CRA-Carlo Ratti Associati
Client: Cofrex
Location: Osaka, Japan
Year: 2023
Surface: 3,600 m2 Net Area
Coldefy Team: Thomas Coldefy, Isabel Van Haute, Zoltan Neville, Marianna Guarino, Léo Akahori, Leonardo Ronchi, Shuai Wang
CRA Team: Carlo Ratti, Andrea Cassi (partner in charge), Ina Sefgjini, Gizem Veral, Jelena Kro, Gabriele Sacchi, Alba Leon Alvarez, Marie Petrault
Creative Lead: Italo Rota

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