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Castell d’emproda was build in 1301 on a hill nearby the small city of La Bisbal close to Girona (Spain). The castle has been owned for centuries by the Margarit family. In 1973 Salvador Dali wanted to buy the castell for his wife, but the owner refused a payment in artworks. Since 1999 Castell d’emporda has been transformed into a boutique hotel. Next to the hotel’s restaurant there is a large terrace with great views over the surrounding landscape. Concrete had been asked to create a covering for this terrace with the possibility to create an enclosed space with full wind and rain protection.  It was a client request to create a covering that works in harmony with the ancient and listed building. We added one question for ourselves: we wanted to maintain the terrace feeling while be seated under the covering.
In basics a terrace is an outdoor space where one can enjoy the weather. If necessary there is only a parasol for sun and rain protection, but there is no obstruction between the visitor and the view. A glass roof or wintergarden would to much become a building, create a feeling being inside a structure and would also appear as an extension of the building, damaging the ancient character.
译文：d’emproda古堡，1301年建造在西班牙附近的La Bisbal城的小山上。城堡的所有者是玛格丽特家族。1973年，Salvador Dali想为妻子买下这栋山间别墅，但是玛格丽特家族拒绝用艺术作品来交换。1999 年以来，城堡d’emporda改造成了旅游旅馆。紧靠旅馆的餐厅有一座巨大的观赏平台，在这里，周围茫茫草原和绵延群山尽收眼底。鉴于平台的观景价值，我们希望通过建造一些混凝土亭，这样既能遮挡北风和雨水的侵袭又能体验听风捕雨的惬意感受。另外，委托人还提出新建筑应该能够与优美的古堡和谐相处。
于是，户外做成荷叶状的不同链接平台，这里可以充分享受阳光和雨露的滋润。为了给旅行者提供广阔的视野，每个平台仅仅采用中央支撑的“遮阳伞”限定空间。不刻意营建周围构件来限定空间，以免混淆室内外空间感受，改变建筑的初始个性。


The solution was to create abstract parasols. 12 Circles in divers diameters are placed randomly on the terrace. Where the circles touch they melt together, where not, the open spaces between circles are filled in with glass. With the circular parasol shape, the feeling of being in an outdoor environment on a terrace, remains. The same shape makes sure the covering appears as a separate almost temporary element, leaving the ancient building untouched.
同时，室外平台创造出抽象的遮阳伞。12个荷叶状圆形随机安放在建筑室外平台上。圆形台阶相交处相互融合过度，融合处没有用玻璃分割空间，空间流畅。通过圆形的遮阳伞造型，室外的台地感仍然得以保留。这种类似的造型还能确保室外小品现代随机性，与古老的主体建筑区分开来。


The top and edge of the parasols are made in rusted steel, seeking harmony with the ancient building and the natural environment. The white painted steel columns and ceiling create an open and light outdoor atmosphere under the parasols. Transparent sliding curtains can be hung easily in colder periods but always stay open. When the mistralwinds suddenly appears the whole covering can be closed in a couple of minutes.
Round and square marble tables and two white leather lounge couches create different seating facilities. Under one parasol a circular outdoor bar is placed. The restaurant now has his own name: Margarit.
“遮阳伞”顶部和边缘使用锈钢材质，期望独立的同时与古老建筑和周边环境寻求和谐。遮阳伞内部白漆柱和纯白顶棚为遮阳伞的内部空间营造出明亮和开敞感。天气突变时，透明窗帘摘取方便并且不遮挡视线，保持室内外视觉畅通。强劲北风袭来时，不久，室外的“遮阳伞”就可以被遮挡起来。
圆形的大理石桌面和两个白革休闲沙发创造不同休闲享受。遮阳伞下放置了圆形的户外吧，餐厅现如今也有了自己的名字：玛格丽特。