Naoto Fukasawa designs stripped-back interior for Issey Miyake Homme Plissé store

由专筑网Yumi，杨帆编译
   
日本产品设计师深泽直人将东京一栋混凝土建筑的室内改造成为了一个用于展示时装设计品牌三宅一生的褶饰系列男装的空间。

Japanese industrial designer Naoto Fukasawa has transformed the interior of a concrete building in Tokyo into a space for fashion designer Issey Miyake's pleated menswear collection.

该店铺位于东京代官山地区，主要售卖日本时装品牌三宅一生的褶饰系列男装，该系列男装使用了三宅一生品牌标志性的褶饰工艺。

The store, which is located in the Daikanyama area of Tokyo, will sell the Japanese designer's Homme Plissé range, a menswear collection created using Miyake's signature pleating technique.

深泽直人对原有建筑的介入设计体现在天花板上增加了细薄的深梁，这些梁在不同点处相交。

Fukasawa's main intervention into the building was to add thin, deep beams across the ceiling that intersect at various points.

“原建筑是一个梯形混凝土箱型结构，是没有梁的。”三宅说，“这些细薄的深梁合乎理性的思维，并因此将结构划分为个人视线之上的空间和个人视线之下的空间。”

每一根梁下悬挂着各种服装，服装大体按颜色和样式进行划分和组织。

"The building, in the form of a trapezoid concrete box, had no beams," said Miyake. "Thin wide beams were consequently passed through, thuspartitioning the structure into a space above people's line of sight and a space below."
Clothes hanging from each of these beams are generously spaced and organised according to colour and fit.

曾为无印良品和电子品牌日立设计过产品的深泽直人，将墙体和地板赋予了混凝土材质,进而模仿了原建筑的外立面，与服装鲜艳的颜色形成了鲜明的对比。

Fukasawa, who has previously designed products for Muji and electronics brand Hitachi, used concrete for the walls and floors to mimic the building's exterior and contrast with the brightly coloured clothing.

三宅一生品牌创立于1970年代，为其同名的创始人、时装设计师所创。该品牌的创新型面料折叠技术的案例包括了将二维几何图案扩张为结构化的衬衣、短裙、裤子和长裙的相关服装系列。

Issey Miyake was set up by its namesake founder and fashion designer in the 1970s. Examples of the brand's innovative fabric-folding techniques include a range of clothes that expand from two-dimensional geometric shapes into structured shirts, skirts, pants and dresses.

日本时装品牌已与不少建筑师和设计师合作，这些合作多是一些旧店的店内设施和室内装饰项目，包括Emmanuelle Moureaux的联锁彩色棒系列，以及吉冈德仁关于可折成结构化服装的二维图形的展览。

The Japanese fashion house has collaborated with numerous architects and designers for past shop installations and interiors, including Emmanuelle Moureaux's series of interlocking coloured sticks and Tokujin Yoshioka's display of 2D shapes that fold into structured dresses.


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