圣塞巴斯蒂安的Loreak时装店
Bright partitions and chunks of marble define Loreak fashion store in San Sebastián

由专筑网王帅，杨帆编译

Pensando En Blanco工作室使用蓝色玻璃和锯齿状的灰色大理石块装饰了这家位于西班牙北部的简约风格服装店。

Pensando en Blanco has dotted blue glass partitions and jagged offcuts of grey marble throughout this otherwise colourless clothing store in northern Spain.

Loreak品牌服装成立于1995年，至今已经在西班牙马德里、巴塞罗那和毕尔巴鄂等地开设了许多门店。

该时尚品牌将两层高的圣塞巴斯蒂安（San Sebastian）分店的内部设计交给Pensando en Blanco设计工作室，希望设计出一个能够准确反映品牌的极简主义风格空间。他们希望在室内呈现一些“惊喜元素”，以此从视觉上吸引每次到访的顾客。

Established in 1995, Loreak already have a host of stores across Spain in locations such as Madrid, Barcelona and Bilbao.
For the interiors of its two-storey San Sebastian branch, the fashion label approached local design studio Pensando en Blanco to create a space that accurately reflected the brand's minimalist identity, specifying that it should include a handful of "surprise factors" to visually engage customers upon each visit.

首先，该工作室将这个270平方米的商店涂成白色，而这里以前是一间漆黑、狭小的办公室。

然后，设计师使用一系列木材或黑色金属方框松散地将室内空间隔开，其中一些框架内镶嵌了蓝色的钴玻璃。

To begin, the studio painted the 270 square-metre store – which had formerly been a dark, cramped office – entirely white.
The space has then been loosely divided by a series of timber or black metal square frames, some of which are covered with sheets of cobalt blue-coloured glass.

工作室的设计助理Maite Basterra告诉Dezeen的记者：“在所有的商店里，你会发现玻璃、透明和颜色扮演着重要的角色。这些面板有助于分配空间，透过框架和玻璃避免死区。”

他继续说：“[面板]是表现该品牌一贯无忧无虑特点的一部分。因为他们拥有适应创意世界不断变化和关注的能力。”

"In all our stores you will find panels where glass, transparency, and colour take on an important role," Maite Basterra, design assistant at the studio, told Dezeen. "These panels help to distribute the space, avoiding secrecy through holes and transparencies."
"[The panels] are part of the carefree nature that the brand has always had, and their ability to adapt to the constant changes and concerns that arise in the creative world," she continued.

芥末黄色靠垫和浅蓝色地毯为室内增添了更多色彩。

锯齿状的玛奎那大理石块矗立在木板上，成为整个商店的焦点。这一设计灵感来源于工作室为Loreak品牌在采石场般的景观中拍摄的一部短片。

Further splashes of colour are offered by a mustard yellow cushion seat and a large, pale blue rug.
Jagged chunks of Marquina marble resting on planks of wood have been placed at key points throughout the store, in subtle reference to a short film set in a quarry-like landscape that the studio produced for Loreak.

Basterra解释说：“我们有在拍摄短片的过程中使用了重量超过两吨的石头。对于这些石头，一部分用来拍摄照片和短片，而一部分正好用在了店面的装修上。”

“这些大理石会随着图形元素和服装的变化而不断变化。”

楼上的衣服被挂在天花板上的细长轨竿上，而展示不同衣服的人体模特被放在了商店的两层舞台上。

"We had the opportunity to move stones of more than two tonnes of weight [for the film], and some of them we used for shoots and campaign images, as well as for the decoration of the new store," Basterra explained.
"[The marble] pieces will mutate constantly, transformed with graphic elements and garments of each campaign."
While upstairs clothes hang from the ceiling on thin wire rails, dressed mannequins have been placed on a two-tier stage in the shop's basement.

与pensando en blanco工作室类似，法国设计师Mathieu lehannuer在很大程度上保持了Maison Kitsuné的纽约旗舰店的内部装饰，他将白色漆面与闪闪发光的金属栏杆结合在一起，使其蜿蜒地穿过商店的空间。

摄影：Iker Basterretxea

Similar to Pensando en Blanco, French designer Mathieu Lehannuer kept the interiors of Maison Kitsuné's New York flagship largely simple by pairing white-painted surfaces with iridescent metal display rails that snake through the rooms of the store.
Photography is by Iker Basterretxea.

项目信息：
设计与现场管理：Pensando en blanco - Aurora Polo
艺术指导：Borja Garmendia
设计助理：Maite Basterra
照明设计： Islada Lighting
橱窗陈设：Jon Ander Beloki

Project credits:
Design and site management: Pensando en blanco - Aurora Polo
Art direction: Borja Garmendia
Design assistant: Maite Basterra
Lighting design: Islada Lighting
Window display: Jon Ander Beloki