Terunobu Fujimori works with Kingston University students to create charred timber pavilion   Seminar House Pavilion

由专筑网Yumi，杨帆编译

这个多层亭子由日本建筑师藤森照信与金斯顿大学的学生合作完成，其覆有焦黑的木板、锌和栗木三种材料。

Japanese architect Terunobu Fujimori worked with students from Kingston University to create this tiered pavilion, which is clad in pieces of charred timber, zinc and chestnut wood.

藤森与5年级的大学生设计并建造了这个研讨会之亭，该项目是他今年年初在这所建筑学院学习时完成的。

藤森以往著名的项目包括一个从地面架空搭在弯曲树干上的、摇摇欲坠的棚状茶室。这次他协助学生们建造的这个亭子位于伦敦南部金斯顿的Dorich House博物馆的场地内。

Fujimori designed and built the Seminar House Pavilion with postgraduate students from Unit 5 during his residency at the architecture school earlier this year.
The architect – known for projects including a stilted tea house raised precariously above the ground on crooked tree trunks – helped the students build the pavilion in the grounds of the Dorich House Museum, in Kingston, south London.

亭子以定向刨花板构建，并覆盖了锌片、栗木瓦和烧焦的木板。亭子的三层之间以木梯连接，参观者可通过其爬上屋顶的观景平台。

The pavilion is constructed from oriented strand board and covered in a combination of zinc and chestnut shingles, and planks of charred timber.
Wooden ladders link its three levels, allowing visitors to climb up to a rooftop viewing platform.

该亭子是金斯顿的导师Takeshi Hayatsu和Simon Jones一年一度的”1:1比例建造项目”中的一部分，其结构使用的材料部分来自于2015年建造的、以日本寺庙入口为原型的亭子。

The pavilion is part of an annual 1:1 scale construction project run by Kingston tutors Takeshi Hayatsu and Simon Jones.
The materials for the structure are partially recycled from the 2015 pavilion, which was based on the entrance to a Japanese temple.

学生们在与专家、铁匠合作的实习工作坊期间制作了这些覆层材料。英国最年长的高空作业工人——81岁的Peter Hartknette向他们演示了如何用板栗原木切分并塑形出瓦片。与此同时藤森分享了他的烧衫——一种将木材炭化的传统工艺，其源于日本西南部。藤森之前的作品“炭之屋”的面层就使用了这种工艺。他还开展了有关“当代建筑乡土与技艺”的研讨会，该领域目前正逐渐被数字技术所主导。

Students produced the cladding materials during a series of practical workshops with specialist word and metal workers.
The UK's oldest steeplejack, 81-year-old Peter Hartknette, demonstrated how to split and shape shingles from sweet chestnut logs.
Meanwhile Fujimori shared his technique for Yakisugi – a traditional wood-charring technique originating from southwest Japan, which was previously used by the architect to create the cladding for his Charcoal House.
Fujimori also gave a seminar at Dorich House on the relevance of craft and the vernacular in contemporary architecture – a field that is increasingly dominated by digital techniques.

该设计的理念被这个团队在长野和东京的实地考察，和一群被藤森称为“红派”的日本前卫建筑师所影响。

“与其他当代日本建筑师诸如SANNA、藤本壮介、桢文彦（藤森称他们为‘白派’）相比，他们（红派）的作品是原始、生动可触的，有时是即兴而成的，有时是亲身建造的，他们总是使用天然材料，在西方人眼中往往有点怪异。”该团队介绍道。

The design is influenced by the group's field trips to Nagano and Tokyo, and a group of Japanese avant-garde architects that Fujimori refers to as the Red School.
"In contrast to other contemporary Japanese architects such as SANAA, Fujimoto, or Maki – whom he considers to be of the White School – their work is raw, tactile, sometimes improvised; sometimes self built, invariably uses elemental, natural materials and is very often somewhat odd to western eyes," explained the team.

红派起源于吉阪隆正1965年的国际大学研讨厅项目，该项目也是今年亭子项目的设计出发点。亭子从下至上不断出挑的多层结构就基于该建筑“上翘金字塔”的建筑形式。

The Red School has its roots in Takamasa Yoshizaka's 1965 Inter University Seminar House Project – the starting point for this year's pavilion.
The pavilion's tiered structure, which steps outwards towards its summit, is based on the upturned pyramidal form of this building.

“所有的调研结合而成为了我们今年建造项目非常特别的设计方法，它将藤森的茶室、松本城堡和吉阪隆正的国际大学研讨厅的记忆片段组合，营造了一个架空的公共空间和一个可俯瞰里士满公园的花园露台。”该团队说道。

"All of this research combines to create a very special approach to our built project this year, which combines memories of Fujimori's teahouses, Matsumoto Castle, and Yoshizaki's Inter University Seminar House, to create an elevated public room with and garden terrace above overlooking Richmond Park," said the team.

该亭子将于2016年的夏天在博物馆开放时段里同时向公众开放。

The pavilion is open to public during museum opening hours throughout summer 2016.

项目信息
导师：Takeshi Hayatsu, Simon Jones
学生：Tareq Arafat, Zacharia Chapman, Bianca Clay, Tiago Manetti, Najim Marufi, Evgeni Medarov, Jonathan Rees, David Ryan, Guy Thompson, Etienne Wijnen, Line Young, Charlotte Peters, Danielle Witter, Samuel Cassar, Hsin-Yu Tsai
赞助商和合作者：Daiwa Anglo Japanese Foundation, Dorich House Museum, Weald and Downland Open Air Museum, Lead Sheet Association, Galvanisers Association, WL West & Sons Ltd, Norbord Ltd, 3D Workshop Knights Park Kingston University
结构设计：Price & Myers
平面设计：Charlotte Hoyes
日本撰稿人：Terunobu Fujimori, Nobumichi Ohshima, Osamu Ishiyama, Keigo Sato, Keisuke Oka, Yuko Saito
专题讨论会：Terunobu Fujimori, Nobumichi Ohshima, Osamu Ishiyama, Keigo Sato, Keisuke Oka, Yuko Saito
研讨会嘉宾：Terunobu Fujimori, Tanya Harrod, Adam Caruso

Project credits:
Tutors: Takeshi Hayatsu, Simon Jones
Students: Tareq Arafat, Zacharia Chapman, Bianca Clay, Tiago Manetti, Najim Marufi, Evgeni Medarov, Jonathan Rees, David Ryan, Guy Thompson, Etienne Wijnen, Line Young, Charlotte Peters, Danielle Witter, Samuel Cassar, Hsin-Yu Tsai
Sponsors and collaborators: Daiwa Anglo Japanese Foundation, Dorich House Museum, Weald and Downland Open Air Museum, Lead Sheet Association, Galvanisers Association, WL West & Sons Ltd, Norbord Ltd, 3D Workshop Knights Park Kingston University
Structural design: Price & Myers
Graphic design: Charlotte Hoyes
Japan trip contributors: Terunobu Fujimori, Nobumichi Ohshima, Osamu Ishiyama, Keigo Sato, Keisuke Oka, Yuko Saito
Workshop contributors: Richard Harris, Peter Harknett, Darren Tutt (Lead Sheet Association), Iqbal Johal (Galvanizers Association)
Symposium guest speakers: Terunobu Fujimori, Tanya Harrod, Adam Caruso


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