一个房屋就像一个原型。作为在文岑巴赫的“Schönberg”（12世纪）城堡的前奏——坐落在前面警卫室的地点上。
A house like an archetype. As a prelude to the castle “Schönberg” (12th century) at the Wehrgraben – site of a former guard house.
这座房子由两个建筑房屋所组成——一个是均匀的，黑色鞍形屋顶的建筑，旋转的坐落在这里，并且作为悬臂支撑在一个白色平屋顶的建筑上。它们以最小的程度进入到山坡地形中。
The house consists of two building volumes – one homogeneous, black saddle roof building lying turned and cantilevered on a white flat roof box. A minimal intrusion into the hillside topography.
这个建筑的开发是针对自然空间以及森林。周围的建筑物有着一种安静简洁的特点——明确性。俯冲到斜坡里，游客在一个地下衣柜/接待室之上，开发了这个房屋¬——它们被沐浴在免费的悬垂楼梯上的阳光中。
The volumes open up targeted to the natural space, the forest. The buildings to the sorroundings shine quiet and conciseness– unambiguity. Diving into the slope the visitor develops the house over an underground wardrobes-/ reception room – is soaked up through the ray of light over a free overhanging stairs.
上图中，一个房间用于工作，思考，谈话，吃饭，庆祝，放松……结果导致了不相干性最小化的失败。到了晚上，人们可以来到房屋的中间，这里是用来洗漱，放松及睡眠的地方。它们总是伴随着自然房屋中的视野——缩减。纯粹的几何外形出自于真实的材料——整体式的渗透。
Above: One-room for working, thinking, talking, eating, celebrating, relaxing,…..result of the failure of all irrelevancy – minimum. In the evening retreat into the belly of the house for cleaning, relaxing and sleeping. Always accompany of the look in the nature room – diminution. Pure geometric out of lively material – monolithic with penetration.
在外面，花岗岩碎石填充着这里的地形——从粗糙到精细——黑色的沥青作为备用装置。对这个地方满足和尊重的目的是为了未来的建筑。
On the Outside: granite crushed stone following the topography – of rough till fine – black aspahlt as a back gear. Sufficiency and respect for the place are the aims of buliding the future.
