Casa Taller Tampiquito
由专筑网Brick，韩平编译
建筑质量是什么?我们如何衡量这一开放概念?
如果建筑的每个转弯、每个细节和每个序列都根据建筑经验进行设计，我们能说它有质量吗?我们真的能衡量投入建筑中的思考量吗?我认为我们可以。我认为我们至少有能力探索想法，以便认识适合空间的材料方案背后的思考过程。像这样考虑窗户、门槛、走廊或一组楼梯的设计这是第一次，我们能肯定思想和物质之间可以建立桥梁。而这样的经验至少让我们接近设计中的质量概念。
What is quality in architecture? How can we measure such an open concept?
If every turn, every detail, every sequence that gives form to an architectural experience it is thought throughly, can we say it has quality? Can we really measure the amount of thought that gets put into a building? I think we can. I think we are capable of at least exploring the idea to perceive the process of thinking behind a material solution that conforms space. When someone thinks of a window, a threshold, a hallway or a set of stairs like it was the first time, we can be sure that a bridge between thought and matter has been constructed. And such an experience at least takes us near the concept of quality in design.
© Lorena Darquea
Casa Taller Tampiquito是私人定制的住宅：业主是一名工业设计师，一名从事陶瓷业的有创造力的妇女。她要求Dear Architects建筑事务所为自己建造一座简单的房子。她想在屋里休息、工作、做饭以及跟朋友聚会。
下降的地块暗示了用于功能的分隔，也为原有公共楼梯和新房屋可能序列之间联系的建立提供可能。
Casa Taller Tampiquito is a house tailored for a very particular person: an industrial designer, a creative woman that works with ceramics. She asks Dear Architects for a simple house for herself. She wants to rest, work, cook, and be with friends.
A descending lot suggests a solution for separate functions but also an opportunity to build a relation between the existing public stairway and a possible order for the new house.
© Lorena Darquea
解决方案：一个从地下层上升到开放空间的螺旋楼梯间，在这里你可以重新欣赏高山美景。房屋就是根据这个简单原则建造的。
The solution: an ascending spiral that rises from this underground level into an open space where you rediscover the mountains. The house is built from this simple principle.
Section/剖面图
如果地下室能靠近街道，并且对邻里开放，那么你进入房屋的体验就会完全不同。我们对这个奇妙的空间联系印象深刻：一个楼梯在厨房上方，它刚好也在搅拌机、芒果和香蕉的上方。楼梯显示的对角线引导我们上楼，使我们迫不及待地向上攀爬。
If the basement level feels part of the street and open to the neighborhood once you enter the house the experience is quite different. We are struck by an uncanny association: a stairway that runs over a kitchen, it literally steps over a blender, some mangos and bananas. The diagonal traced by the stairs pulls our body upstairs. We can’t wait to climb up.
© Lorena Darquea
屋内的楼梯序列有3个主要环节：狭窄楼梯强调垂直空间，连续对角空间穿过对面的房屋后面的角落，最后是开放的露台。
The sequence of the stairs inside the house has 3 main moments: a narrowness that emphasizes a vertical space, a continuum diagonal space that runs through the opposite back corners of the house, and finally, the openness of the terrace.
© Lorena Darquea
但中间序列给人们的印象最为深刻：两组对角线视野的安排将楼梯空间转变成与整个房屋及场地联系丰富的空间。一条斜线正对我们刚刚离开的门厅楼层。第二条对角线将我们向天空拉近。通过两个垂直面和3种不同材料之间简单但良好的联系，使得光线和地面结合在一起。
But it’s in the middle of this sequence where one experiences the second striking moment of the house: a double set of diagonal views that transforms the space of a stairway into a much richer relation to the whole house and to the site. One diagonal opens up towards the level we just left: the entry hall. And the second diagonal pulls us even more towards the sky. Light and ground bounded together through a simply but very well built relation between two vertical planes and 3 different materials.
© Lorena Darquea
两个旋转平面的几何形体为建筑创造了丰富的镜像空间。我们甚至在缩小的封闭空间中也发现相同的形式原则。这种极端的形式主义有意义吗? 这是质量吗?这是部分和整体之间的重复和联系。
The geometry of this two rotating planes gives place to diverse ways to play with the idea of a mirrored space. We find the same formal principle even in the reduced enclosed spaces. Does this extreme formalism have any sense?? Is this quality? Repetition, relations between the parts and the whole.
一旦我们到达序列尽头，一切都确定了。宏大的景观和山体的出现升华了整个序列氛围。房子感觉像没有天花板。还有个悬挂式白盒占据整个空间的东端，那里是主卧室。但没有强调遮盖厨房区域的水平面。这个错觉是很重要的。因为螺旋没有天花板，没有尽头。
Once we reach the end of the sequence everything gets fixed again. The vastness of the landscape and the presence of the mountain give the whole sequence all the sense it needs.
The house really feels without a ceiling. There is a suspended white box that occupies the east end of the whole space where the main bedroom is. But it does not emphasize the horizontal plane that covers the kitchen area. This illusion it’s important. A spiral without ceiling. Without ending.
© Lorena Darquea
一名建筑师主张三层中每一层都有一个中空或封闭空间，你可能会说是这是核心空间，但我没有找到它。每个静止或封闭空间都被拉出，向室外扩张，寻找空洞凝望天空。
你还会发现每个线条和每个顶点都有回应，它扩展到别的东西：可能是颜色或纹理的改变，或者是地板上画的简单线条，它们都以另一种姿态与整体相连。
One of the architects argues that there is a cavity or enclosed space in each of the 3 levels, a core you may say, but I personally didn’t find it. Each stillness or encapsulated space it is pulled out and expanded towards the exterior, searching for that open hole that connects your gaze to the sky.
You also find that each line, each vertex has an echo, it expands to something else; a change of color or texture, or a simple line drawn over the floor. Another gesture that connects with the whole.
© Lorena Darquea
场地和建筑体通过不断扩展聚集在一起。
如果使用物质创建连接的能力是质量衡量方面的相关问题，那我们能保证这个房子是高质量的。
Site and body, drawn together by a constant extension of each.
If the ability to use of matter to create this connections is a relevant issue in terms of quality measurement, then we can assure this little house in Tampiquito has quality.
© Lorena Darquea
© Lorena Darquea
© Lorena Darquea
Plan/平面图
Plan/平面图
Plan/平面图
Plan/平面图
Section/剖面图
Axonometric/轴测图
建筑设计：Dear Architects
项目位置：墨西哥，新莱昂州，圣佩德罗加尔萨加西亚
建筑师：Rubén Octavio Sepúlveda Chapa, Abel Salazar, Ana Paulina Reyes, Jorge Jiménez, Cinthia Cavazos, Marcela Martínez
项目面积：250.0平方米
项目时间：2015年
摄影：Lorena Darquea
Architects: Dear Architects
Location: San Pedro Garza García, Nuevo Leon, Mexico
Dear Architects: Rubén Octavio Sepúlveda Chapa, Abel Salazar, Ana Paulina Reyes, Jorge Jiménez, Cinthia Cavazos, Marcela Martínez
Area: 250.0 sqm
Project Year: 2015
Photographs: Lorena Darquea
出处：本文译自www.archdaily.com/，转载请注明出处。
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