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建筑设计: Gus Wustemann
建设地点: Elerenbach, Zurich, Switzerland
首席设计师: Gus Wustemann
设计团队: Jan kubasiewicz, Marta B. Goni
完成年份: 2012
建筑面积: 1,100 sqm
摄影: Bruno Helbling
Architects: Gus Wustemann
Location: Elerenbach, Zurich, Switzerland
Architect In Charge: Gus Wustemann
Design Team: Jan kubasiewicz, Marta B. Goni
Project Year: 2012
Project Area: 1,100 sqm
Photographs: Bruno Helbling
住宅是为一个年轻的南非家庭设计的，就坐落在Zurich外的湖边小镇Erlenbach.住宅基地在城郊附近，那里住宅周围景色优美。基地在山地斜坡上，坡顶能够欣赏到湖边的美景和日落，地块低处还有一户小规模住宅。
客户要求我们要在符合地形的情况下最大限度使用基地，既能欣赏到周围的美景，但又不能把住宅建造在山顶之上或者花园下面。
This is a house for a young South African family in Erlenbach, just outside Zurich along the lake.The plot is in a suburban context and therefor pretty dense with family homes, typical for the area. The site is on a slope, where on top there are beautiful views to the lake with evening sun and at the lower part there is a group of smaller family houses.
The clients asked us for a solution for a house that made most of the big plot, wanting a view, but not end up with a house on top of the hill and a rest of a garden down below.




我们的设计方案是这样的：建筑包围成圈，尽量紧靠基地外围，主要房间放在山顶，辅助用房在山底，两座房子之间铺设石子道路：2 条石廊。
建筑围绕基地建造：顶层为石质廊道，基地东边场地用来散步和骑马，一直延长到地块南部，场地中央还有个公园。公园绿化面积很大，几乎没有绿地。石材廊道把建筑的两个部分紧紧相连，这样，你可以在那里散步，作息和欣赏湖边或者公园的美景。花园通过廊道连接到起居室，并且花园位置成为各个功能区的核心。
Our solution for this plot was to occupy the periphery of the site, with the main house on top of the hill and the pool house at the bottom, both houses connected through a solid stony promenade: 2 verandas.
By occupying the periphery:  there is one veranda at the top, the promenade is going alongside the eastern boarder of the plot leading to the south end, there is a park in the middle of the site.






主要房间是为石材，混凝土围成的两层高的建筑，内部为起居室。上部主要用于公共生活区域，在这里可以举办聚会或者倚着zurich河美景共进晚餐。
住宅首层是家庭休息区，室内还融有小型天井。所有的窗口都是想通的，室内外的环境连接成一体。天井周围连接着卧室，并且可以用作家庭聚会和看电影休息的空间。
The park can be consumed as nature from all three sides and therefor there is no ‚left over’ of  land. The stony promenade connects the two verandas, is a site of its own, where you walk or sit and enjoy the view to the lake or the park. With the promenade, the garden moves up to the level of the living room and it connects all levels of the house with the garden.
The main house is a stony, concrete, hammer shaped volume over two levels, that contains the living rooms. In the upper part is the public living room for invitations and dining with a beautiful view over the lake of Zurich. On the ground level is the family lounge with an exterior patio that can be joined as one room with the living room.  All the windows disappear and the inside and outside patio become one. That patio connects all bedrooms and is a lounge to sit together privately and watch a movie.






两个房间相互交错，首层建筑我们使用了棉质窗帘来覆盖混凝土表皮，从而创造出私密的休息区域。室内外空间联通，没有使用窗户，仅有混凝土材质。室内看起来就像是把室外空间罩了一层：典型的地中海风格。
其实窗户的缺失是设计者营造室内外整体联通的关键部分；玻璃本身提醒我们室内外的界限。
在建造过程中，我们选择自然纯净的原生态材质，比如混凝土，石灰华或者原木。
混凝土块材并非连成一体，而是分隔成了几个完整的部分，体块显得更加纯净而独立。整座住宅间接照明作为指引，
住宅底层安排有体操房，电影院和酒窖；大量的混凝土给房间营造了完全不同的休息空间。房间里有粗混凝土和原木，所以材质也十分丰富。
The circulations in and out of that space are controlled by concrete volumes at the ceiling that condense the space through mass and light and slow the circulation.
The two rooms are crossed above each other, at the ground floor level we pull a wooden curtain around the concrete volume to create the private sleeping quarters.
The upper living room has a shark fin like shape, so the space is very high at the back of the space with northern sky lights, and is lower at the front to frame the view.
The inside and the outside are joined, as we let all the windows disappear, so there is only the concrete mass left. The inside becomes a covered  outside spacer:  Mediterranean feeling in the northern hemisphere.
The absence of the window is the essential instrument to actually unite in and outside space; it is the glass itself that reminds us of the border of in and outside. In many projects nowadays this fact is neglected or simply ignored and therefor glass is used in an extensive way.
We chose natural and raw materials like concrete, travertine or wood. The concrete is formed and communicates with the space through light gaps that give that extra feeling of finesse to the shear mass of the concrete. Throughout the whole house indirect lights are giving directions, and attract the periphery of the spaces rather than the center. The indirect light is creating the atmosphere.
On the underground floor there is a gym, a movie room and wine cellar all arranged around the light up masses of the concrete that give the house a whole different playful area. There is raw concrete and raw wood and therefor a lot of texture.