57 Drawers

由专筑网刘政和，杨帆编译

来自建筑事务所的描述。这套公寓是为一个有两个小孩的家庭专门设计的。它分为两个大小不平等的部分，第一部分位于公寓前面，靠近入口。包括了厨房、客厅、餐厅和一间主卧室。第二部分位于公寓后面的一个较小区域，这是专门为儿童准备的。它包含两个孩子的房间和一个游戏区域。一条漫长的走道将这两个部分和沿途各种服务用房相连接：更衣室/衣柜、储藏室、洗衣房和两个浴室。

公寓前面的部分被设计为一个自由流动的空间，每个区域在视觉上保持与其他房间的联系。主卧室也是这个空间的一部分，并通过宽门和窗户一样的开口连接。床被布置在平台之上，并且隐藏在一堵砖墙后面，这样从客厅的任何角度都看不到它。因此，虽然生活区在视觉上得到了延伸，但是睡眠区仍然保持其私密性。客厅里的突出体量提高了卧室和客厅在空间上的联系。它没有达到天花板的高度并且通过黑色金属板片削减了体量以强调这种结构上的细微差别。

From the architect. This apartment is designed for a family with two small children. It is divided into two unequal parts, where the first part is at the front of the apartment near the entrance. This part consists of a kitchen, a living room, a dining room and a master bedroom. The second part is a smaller area in the back of the apartment, which is dedicated for children. There are two children's rooms and a play area here. A lengthy corridor connects these two parts with utility rooms along the way: a dressing room/closet, a pantry, a laundry room and two bathrooms.
The front part of the apartment is designed as a free-flowing space, where each area maintains visual connection with the others. The master bedroom is also one of the zones of this space and is connected by wide gates/doors and window-like openings. The bed is raised on a podium and is hidden behind a brick wall, which makes it not visible from the living room from any angle. Thus, the living area receives a visual extension, but the sleeping area retains its intimacy. Protruding volume in the living room enhances the spatial relationship between the bedroom and the living room. It does not reach the ceiling and is trimmed with the sheets of black metal to emphasize the subtlety of this structure.

© Konstantin Dubovec

© Konstantin Dubovec

“Soft”（又名电视）生活区位于平台之上并与前面的窗户保持一定距离。这样适度的照明、特别的舒适感和来自落地窗的良好视野都被创建了出来。生活区域通过书架与走廊相隔开。这些书架通过用于读书的高躺椅组织起来。人可以通过可移动的梯子爬上去。躺椅下面有一个存储空间。

“Soft” (aka TV) living area is raised on a podium and pushed back from the front windows. So moderate lighting, special comfort and magnificent view from the windows lowered into the floor is created. Living area is separated from the corridor by bookshelves. These bookshelves are organized in the mutual composition with a high-lounger for reading. One can climb up to it using the removable ladder. There is a storage space under the lounger.

© Konstantin Dubovec

厨房的前面与整个客厅和餐厅空间相连，以适应大量的厨房设备。定制的带有轮子的吧台使它很容易沿着厨房移动并且可以作为一个额外的工作或服务的桌子。餐桌（由建筑师设计）有着不同寻常的比例：其台面又窄又长。这样的桌子在视觉上延长了用餐区。同时加强了厨房和客厅之间的联系。

The front of the kitchen is set along the whole living and dining space. This allows to fit lots of kitchen gadgets. Custom bar counter on wheels can be easily moved along the kitchen and can serve as an additional work or serving table. Dining table (also designed by the architect) has unusual proportions: its countertop is narrow and long. Such table visually lengthens the dining area and serves as a connecting link between the kitchen and the living room.

Plan/平面

公寓内留给孩子的空间最初被设计得很长。作为解决方案，游戏室被布置在距离窗户最远的地方。部分墙壁由玻璃组成，所以不会挡住自然光线。两个孩子的房间也有类似的设计，每个由三部分组成：一张位于木制平台上的床、一个带有沙发的柔软区域和一个带有办公桌的工作区域，它的光线效果最好。这个设计显示了两个孩子的房间的细长的特性。玻璃墙分隔了儿童房间的柔软区和工作区——它在视觉上扩大了空间并增加了光线。然而，每个孩子可以拉下窗帘并创建他们的隐私区。

The apartment space devoted to the children area originally was very elongated. As a solution, the playroom is placed in the furthest from the windows area. Its walls are partially made of glass so not to lose the natural light. The two children's rooms have similar design and each consists of three parts: a bed raised on a wooden podium, a soft zone with a sofa, and a work area with a desk and most light. This design justifies the elongated nature of both children's rooms. Glass walls separate the soft and work areas of the children’s rooms - it visually expands the space and adds light. However, each child can pull down screens-curtains and create privacy.

© Konstantin Dubovec

装饰由几种不同的材质组合而成：黑砖、橡木木板、黑色金属板材、瓷砖和粗糙的灰泥。玻璃隔墙被广泛地应用于室内。游戏室用彩色软木进行装饰。所有的材料都遵循特定的层次结构，因此它们创造了一个和谐的整体。

There are several different textures combined in the decor: dark brick, light oak planks, sheets of black metal, ceramic tile and rough plaster. Glass partitions are widely used in the interior. The playroom is decorated with tinted cork. All the materials are subject to specific hierarchy, and as such they create a harmonious ensemble.

© Konstantin Dubovec

作者设计了z字形隔墙来组织客人区域内的流动空间。它们的形状很容易从侧面看见。墙体明确地划分了区域，并在视觉上将其扩大。这种设计方式对客厅尤其重要。人在这个房间里会产生两种截然相反的情绪。一方面是安全感和舒适感，––––因为亲密。另一方面––––产生额外的空间感–––因为在z字形墙体上方的区域向各个方向进行了扩展。

The author designed z-shaped partitions to organize the flowing space within the guest area. Their shape is easily visible from the side. Partitions clearly divide the zones and visually expand each of them. This solution is especially important for the sitting area. A person experiences two opposite emotions when being in this room. On one hand the sense of security and comfort - because of its intimacy. On the other hand – the feeling of extra space - because the area expands in all directions above the z-shaped partitions.

Model/模型

© Konstantin Dubovec

在室内有很多的平台，它们组合在一起创建了一个强烈的“景观”。然而，它们的主要功能是实用的，因为所有的平台下面都作为存储空间。在平台下一共有57个抽屉，另外还有2个衣柜和储藏室。由于这个设计方案，业主不需要再购买任何用于存储的家具。

There are a lot of podiums in the interior, and together they create an intense "landscape". However, their main function is utilitarian, because all the space underneath is arranged for storage. Overall there are 57 drawers under the podiums, plus two closets and pantries. The owners didn’t have to buy any storage furniture thanks to this solution.

© Konstantin Dubovec

© Konstantin Dubovec

© Konstantin Dubovec

© Konstantin Dubovec

© Konstantin Dubovec

© Konstantin Dubovec

© Konstantin Dubovec

© Konstantin Dubovec

© Konstantin Dubovec

© Konstantin Dubovec

© Konstantin Dubovec

© Konstantin Dubovec

© Konstantin Dubovec

© Konstantin Dubovec

Model/模型

Model/模型

Model/模型

Section/剖面图

Section/剖面图

Section/剖面图

© Konstantin Dubovec

•        建筑设计：Alexey Rozenberg
•        地点：俄罗斯，莫斯科
•        建筑面积：175㎡
•        项目时间：2015年
•        摄影：Konstantin Dubovec

•        Architects：Alexey Rozenberg
•        Location：Moscow, Russia
•        Area：175.0 sqm
•        Project Year：2015
•        Photographs：Konstantin Dubovec


出处：本文译自www.archdaily.com/，转载请注明出处。