OHLA Hotel EIXAMPLE / Isern Associats
由专筑网邢子，李韧编译
来自建筑事务所的描述：总而言之，这项任务并非易事。
从20世纪70年代起，这座办公大楼在地板结构之间缺乏足够的高度空间，同时又受到各种法规的控制，同时又因场地元素，使其承受一定的振动影响。
From the architect. All in all, it was not an easy task.
An anodyne office building from the 1970s with not enough free height between the floor structures but at the same time higher than the current law allows, constructed above railway arches which subjected it to an insufferably high level of vibration.
立面图/Elevation
立面图/Elevation
整个空间既不美观，层高高低混乱，甚至还有饶人的嘈杂声，对于这样一个空间，你还能有什么更多的要求？
Ugly, too high, and at the same time, too low, and above all, unbearably noisy... what else can you ask for?
© Adrià Goula
根据上述的三个条件因素，本项目由以下三个概念出发设计：
技术：我们在地面层的每个支柱上安装地震减震器，这些减震器通过液压千斤顶激活。该系统将建筑物分为两部分，将街道与地下室分开，从而达到酒店所需的抗震舒适度。
With the above three conditioning factors, the project was based around these three concepts:
The Technology: this allowed us to install some seismic shock absorbers to each pillar on the ground floor level, activated by hydraulic jacks. This system divided the building into two parts leaving everything at street level separate from the basement, thus achieving the comfort that a hotel requires.
© Adrià Goula
美学：在内部，这个项目建立了现有结构与空间的对话，作为一个酒店，建筑师在每个房间的内部都展示了高品质材料。
The Aesthetic: in the interior the project establishes a dialogue between the existent structure, which is left naked and exposed, and its use as a hotel, which is revealed in very high quality mate- rials which do not go beyond the perimeters of each room.
平面图/Type Plan
© Adrià Goula
因此，建筑师通过木材的使用，来衬托出陶瓷、石膏板以及混凝土等材质，空间中的金属支柱和天花板拱顶建立了两个要素间的完美对话，并放置了与空间相当契合的家具。
Therefore, in spaces with concrete floors, metal pillars and ceiling vaults, revealed by the use of wood, ceramic and plaster, a dialogue is established in which the two elements are not allowed to intrude on one another, and amongst which, some carefully chosen and perfectly lit pieces of furniture can be found.
© Adrià Goula
城市：建筑面向城市的主立面是建筑与城市沟通的重要策略，建筑与城市街道的距离很近，这从一定程度上削弱了建筑的场所关系。
The City: the facade, the manner in which a building relates to its surroundings, works as a way to filter out aspects of the location, which despite being very central, is made uncomfortable by the close proximity of Balmes Street.
© Adrià Goula
因此，外墙由垂直和水平元素共同组成，使整个外立面具有一定的节奏感，从而模糊建筑的实际楼层数。然后五个木制体量穿插在立面当中，这些体量在功能上作为阳台。建筑师选用陶瓷作为主要外观材料，这种材料与城市的历史有很大的渊源，似乎为建筑增添了额外的艺术气息。
A façade was thus composed of vertical and horizontal elements of great depth, which modulate a blurred vertical rhythm, making it difficult to work out the building’s number of floors. The façade is then disrupted by five wooden boxes, which act as balconies. Ceramic was chosen for the façade, a material which has a strong link to the city’s history, to which an extra value was added – music.
© Adrià Goula
在CerámicaCumella和IAAC的帮助下，建筑师发明了一种基于声音的算法，从而在陶瓷表面进行雕刻。建筑师通过这些策略创建无数的片段，每个片段各有特点，但每个片段又有一定的共性。
With the help of Cerámica Cumella and the IAAC, we invented an algorithm which, based on sound, created a model which a robot then engraved on the surface of the ceramic during its extrusion. This process allowed us to create an infinite number of pieces, each one unique and different but each with the same pattern.
© Adrià Goula
对于这个项目，Max Richter的“Vivaldi Recomposed”音乐作品被选中。 这件作品就像这个项目一样，以过去的价值为基础，同时又被赋予了现代感。
For this piece, the musical composition “Vivaldi Recomposed” by Max Richter was chosen. This piece, like our project, uses as its base something from the past, in this case Vivaldi’s Four Seasons, which are then given a modern twist.
© Adrià Goula
相同的方法用于设计陶瓷壁画，设计作品填充整个地面，从接待处开始，并一直到达餐厅的右侧。
The same system is used to create the great ceramic mural which fills the whole of the ground floor, starting at reception and reaches right to the back of the restaurant.
剖面图/Section
剖面图/Section
细节/Details
细节/Details
建筑设计：Isern Associats
项目地点：西班牙，巴塞罗那
主持建筑师：Daniel Isern
项目时间：2016年
面积：7365平方米
摄影：Adrià Goula
制造商：Technal, Ceràmica Cumella, Weber
算法编程：Alexandre Dubor IAAC.
合作伙伴：Yaiza Diaz, Aleix Naudó, Nuria Widmann,
内部设计：Laura Muñoz
技术总监：Albert Bordera
声学工程：AV Enginyers
结构：Nolac
• Architects: Isern Associats
• Location: Carrer de Còrsega, 291, 08008 Barcelona, Spain
• Architect in Charge: Daniel Isern
• Area: 7365.0 m2
• Project Year: 2016
• Photographs: Adrià Goula
• Manufacturers: Technal, Ceràmica Cumella, Weber
• Algorithm and Programming: Alexandre Dubor IAAC.
• Arquitectos Colaboradores: Yaiza Diaz, Aleix Naudó, Nuria Widmann,
• Interior Design: Laura Muñoz
• Technical Architect: Albert Bordera
• Acoustic Engineering: AV Enginyers
• Structure: Nolac
出处：本文译自www.archdaily.com/，转载请注明出处。
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