Penleigh and Essendon语法学校音乐中心
Penleigh and Essendon Grammar School Music Centre / McBride Charles Ryan

由专筑网小R编译

Penleigh and Essendon语法学校（PEGS）音乐中心位于澳大利亚墨尔本，是McBride Charles Ryan (MCR)事务所在PEGS校园中系列项目中的最新部分，该项目中现有的单层维多利亚建筑是被学校用于音乐教学，这座新建筑位于MCR的早期项目旁，该项目完工于2009年，这座建筑在校园以及郊区背景、感知，以及童年想象之间都构成了一定的联系。在新项目中，建筑师翻新了现有的历史音乐用房，增加了用于音乐教学和表演的空间。

Text description provided by the architects. The Penleigh and Essendon Grammar School (PEGS) Music Centre, located in Melbourne, Australia, is the latest in a series of interventions undertaken by McBride Charles Ryan (MCR) across the PEGS Campuses. The existing single-level Victorian ‘house’ in this project was used by the School for music tuition. This new building sits alongside one of MCR’s earliest projects for PEGS, completed in 2009, the Junior Boys’ Year 5&6 Building, which plays with the tension between the School and its suburban context, perception, and childhood imagination. This new project was to refurbish the existing historic Music House, add to and provide improved spaces for music tuition and performance.









这三座建筑加起来甚至起到了1+1+1＞3的效果，通过建筑群体和庭院这个第四元素，焕发了这个小型区域的新形象，新增加的音乐中心在2009年的建筑和维多利亚建筑之间起到了调解的作用，新建筑由不同规模的练习教室所构成，可以用于个人的学习和团体的练习，其中包含有大型教室，这可以用做学习和教学，同时也是学生、家长的主要表演空间。

Together, the three buildings become more than the sum of their parts, activating the impression of a mini-precinct through the ensemble of buildings, and the creation of a fourth element – the courtyard. The new addition of the Music Centre acts as a mediator between the formality of the 2009 building and the Victorian house. The new building is comprised of variously sized practice rooms which allow for individual tuition and group practice. A large classroom has been included, intended for learning, tuition, and as a key performance space for students, parents, and others.







这座新建筑拥有典型的“现代主义”学校建筑的特征，可以被视为整个校园后期制度类型，功能主义和现代主义的起源来源于砖石屋面建筑，这种建筑依赖于更为复杂的历史建筑，它有着斑驳的轮扣。南立面和西立面的框架入口似乎在提醒着人们这种制度类型的起源，建筑将有趣的风格应用到类型学中，其关键的元素，即凝固的声波线似乎穿越了建筑的起伏平面，构成了一种独特的表达方式，因此形成全新的室外和表演空间。这个全新的项目延续了2009年建筑的主题灵感，这是对环境、美学，以及想象的思考。

The addition has all the DNA of your archetypical ‘modernist’ school building and can be seen as part of the family of later institutional typologies throughout the campus. The utilitarian and modernist origin is a brick and skillion roof building attached to the more formally complex historic building with its variegated silhouette. The South and West façade’s framed entrances are a reminder of the origins of this institutional typology. The building applies a playful lyricism to the institutional typology, its key gesture, the line of a frozen soundwave, was passed across the building's undulating plan, generating the north expression which frames both the new outdoor and performance space. This new project continues the thematic inspiration of the 2009 building as a kind of musing on context, beauty, and imagination.







这座建筑应用了标准化学校构件和创新的形式构成，设计理念集中于欢乐与美学之中，设计方案超越了技术和材料的功能性，美学与音乐也都有自身的作用。

The building uses standard school components in innovative formal composition, with a design intention focused on the pursuit of joy and beauty, allowing the design to transcend the utility of the technology and material used. Beauty and indeed music have their own utility.



这座建筑与原有维多利亚音乐建筑的关系视图构成一种吸引人的对话，希望能够优雅地延长历史建筑的生命力，古老与新式的砖石墙体相互呼应，保留了相似的图案，同时通过颜色和肌理对二者进行合理的区分，新建筑立面的起伏与音乐的抒情感受息息相关，同时也构成了一个整体，在现有和当代的空间中形成了鲜明的对比，建筑师充分考虑了天花板高度的变化以及过渡与融合，每个细节、体量对比、装饰部分的连接、装饰艺术门的构成，都对传统艺术表达了致敬，这也很大程度地增加了建筑的自身特点。

The annex’s relationship to the original Victorian Music house attempts to promote a captivating dialogue, seeking to elegantly prolong the life of a historically significant building. The brickwork of the old is echoed in the new, retaining a similar patternation while vibrantly distinguishing the two through color and texture. The undulation and oscillation of the annex’s façade engages with the lyricism of music as an overarching theme, the contrast between existing and contemporary meeting in the middle with carefully considered slippages, as ceiling heights change, thresholds and transitions merge, and the two become one. The heritage is celebrated in every detail, the contrast of volumes, the meeting of a decorative cornice, the preservation of art-deco doors, that add substantially to the narrative and character of the built form.

























建筑设计：McBride Charles Ryan
类型：音乐厅
面积：520 m2
时间：2020年
摄影：John Gollings Photography
制造商：Euro Clay, Surteco
施工方：Bear Projects
服务工程：ECM Group
结构工程：Drew Rudd
城市规划：ARG Planning
设计文件管理：Debbie Ryan, Robert McBride, Manning McBride
文件与管理：Georgina Karavasil Papargiris
文档：Matthew Tibbals
建筑测量：Florencig Smith Building Surveyors
城市：Essendon
国家：澳大利亚

MUSIC VENUE, OTHER FACILITIES
ESSENDON, AUSTRALIA
Architects: McBride Charles Ryan
Area: 520 m2
Year: 2020
Photographs: John Gollings Photography
Manufacturers: Euro Clay, Surteco
Builder: Bear Projects
Services Engineer: ECM Group
Structural Engineer: Drew Rudd
Town Planner: ARG Planning
Design, Documentation And Admin: Debbie Ryan, Robert McBride, Manning McBride
Documentation And Admin: Georgina Karavasil Papargiris
Documentation: Matthew Tibbals
Building Surveyor: Florencig Smith Building Surveyors
City: Essendon
Country: Australia