彼得卒姆托在伦佐•皮亚诺的瑞士巴塞尔贝乐基金会博物馆公布扩建计划
Peter Zumthor unveils extension plans for Renzo Piano's Fondation Beyeler in Basel

由专筑网李韧，韩平编译

近期，瑞士建筑师彼得•卒姆托在伦佐•皮亚诺设计的瑞士巴塞尔贝乐基金会博物馆公布了三重奏的新建筑计划。

在近期举行的新闻发布会上，卒姆托用草图表达了一个新画廊的设计计划，这个画廊将建在一片绿色丛林及花园之中。

Swiss architect Peter Zumthor has revealed designs for a trio of new buildings at the Renzo Piano-designed Fondation Beyeler art gallery in Riehen, Basel.
At a press conference held at the foundation yesterday, Zumthor presented maquettes and plans for a new gallery in addition to administrative and events spaces, which will be arranged around mature trees in a previously private garden that runs on from the gallery's existing grounds.

这座钢筋混凝土和木材建筑坐落Iselin-Weber公园，与原来旧美术馆建筑的布局遥相呼应，而这座旧美术馆则矗立在Berower公园。

1997年，皮亚诺设计的巴塞尔贝乐基金会博物馆是为了容纳Ernst和Hildy Beyeler的艺术收藏品，但在过去的20年里，博物馆的收集空间明显不足，而这次卒姆托设计的收藏空间以及专用活动空间则是目前面积的两倍。

卒姆托认为皮亚诺的建筑像是“一个感觉良好的仓库”，而他自己的画廊则是一个“不具有制度感”的展览馆。

“我很喜欢这座建筑和它的景观。”他告诉Dezeen记者，“这是一个很好的例子，当代艺术博物馆开放给人民。这就是我认为博物馆应该存在的原因。”

The placement of the rammed concrete and wooden buildings in Iselin-Weber Park echoes the design of the original gallery, which stands in Berower Park – the former grounds of the the 18th-century Villa Berower.
Piano created the Fondation Beyeler in 1997 to house the art collection of Ernst and Hildy Beyeler. But the collection has outgrown the space over the last 20 years, and Zumthor's design will almost double the current gallery area, as well as providing purpose-built events spaces.
Zumthor, who describes Piano's building as "warehouse-like, in a good sense", sees his own gallery as a chance to offer a "less institutional" feel to the museum.
"I like the Beyeler and the landscape," he told Dezeen in an interview following the conference. "It's a good example of a contemporary art museum that is open to the landscape and to the people, which is how I think museums should be nowadays."

“在这里，我们正在做的事与在洛杉矶相同，在那里我们创建多个入口，以便您可以自由参观。你可以拿你的票随处走动，”Zumthor说，指的是他的洛杉矶LACMA博物馆扩建工程。

“这不是一个像‘进入这里’的地方！所有的禁闭对我来说都是错误的思想。我想要为大家打开这个通道。”

1500平方米的画廊大楼将有三个区域，由中央楼梯以及全景窗口为连接枢纽。墙壁将用夯实的石灰石混凝土制成，参照了该地区的山脉特点。

白色立方体画廊的宽口将光线引导向室内空间，给予管理空间与皮亚诺的顶级照明画廊更多的选项来展示作品。

随着延伸的墙面，休息区与画廊相结合。

在公园的对面，一个宽阔的木质屋顶将遮挡展览馆，它在侧面开放，另一面则封闭。

展馆的地面向墙壁倾斜，给空间带来“战壕般的感觉”，让观众能够在表演、会谈和其他活动中能更好地感受氛围，同时整个空间运用了木材以优化声学效果。

"Here we are working for the same thing as we do in Los Angeles, where we create (multiple) entrances so you can move freely. You can get your ticket here or there," added Zumthor, referring to the extension he is currently working on for LACMA.
"It's not an institution where it's like 'Enter here! Enter here!'. All this confinement feels wrong for me. I plan to have this open – access for everybody."
The 1,500-square-metre gallery building will feature three wings that fan out from a central staircase with panoramic windows offering views out into the park. The walls will be made from rammed limestone concrete, a reference to the region's mountains.
Broad windows in the walls of the white cube-style galleries will side light the spaces, giving curators working with Piano's top-lit galleries more options to display light-sensitive or demanding works.
Benches will be integrated into the window sills inside the galleries, with further seating built into the exterior walls.
Across the park, a broad wooden roof will shelter the events pavilion, which will be open on one side and enclosed on the other by a back office set against one of two old stone walls that runs through the site.
The floor of the pavilion will slope down towards the wall to give the space a "trench-like feel" and the audience a better view of the stage during performances, talks and other events. The whole space will be lined in wood to optimise acoustics.

该项目预计成本1亿英镑（7800万英镑），将由私人资助。Wyss基金和Daros Collection等慈善基金会已经承诺为这个项目投入5000万（￡3900）。

基金会宣布将在2016年实行卒姆托的第一次扩建计划，并预计新的建筑物将在4年内建成。

建筑的模型与动画，计划将向公众展示到5月7日，在里恩市政厅则从5月10展示到5月23日。

The project is expected to cost CHF 100 million (￡78 million) and will be privately funded. Charitable foundations including the Wyss Foundation and the Daros Collection have already pledged CHF 50 million (￡39 million) towards the works.
The foundation first announced plans to have Zumthor extend its campus in 2016, and expects the new buildings to be on site within four years.
The models, plans and visualisations will be on show to the public at the Fondation Beyeler until 7 May, and at the Town hall of Riehen from 10 May until 23 May 2017.

卒姆托，普利茨克奖和密斯凡德罗奖得主，出生与巴塞尔，1978年在Haldenstein创办自己的工作室Atelier Peter Zumthor。

瓦尔斯温泉浴场、女巫审判案受害者纪念等都是他的代表作。卒姆托是Dezeen热搜榜的建筑师以及建筑爱好者中是排名最高的建筑师。

Zumthor, a Pritzker Prize and Mies van der Rohe Award laureate, was born in Basel and founded his studio Atelier Peter Zumthor in Haldenstein in 1978.
Projects like the thermal baths at Vals, the Steilneset Memorial in Vardø built as a monument to witch trials and the Serpentine Gallery Pavilion have gained Zumthor – who was one of the highest ranked architects in Dezeen Hot List – a cult-like following among architects and architecture enthusiasts.


出处：本文译自www.dezeen.com/，转载请注明出处。