建筑师：Elii
位置：西班牙，马德里，Pedrezuela
设计团队：Uriel Fogué, 伊娃•吉尔,卡洛斯•帕拉西奥斯
合作者：Enrico Forestieri
客户：伊莎贝尔•罗德里格斯•乌尔塔多
勘测员：塞缪尔•艾斯库德罗
面积：210.9平方米
年份：2011
摄影：Miguel de Guzmán

这所房子坐落在Pedrezuela地区一个1316平方米的斜坡地段，是马德里以北45公里处。在临近街道的区域中，这里几乎没有植被，然而，周围郁郁葱葱的自然景观提供了一个很好的视角。这个建筑是由七个对称的相同的木制结构模块组成的，

并且它围绕着中心庭院。根据它们的功能需要，每一个模块都致力于不同的国内情况。模块化的结构，和允许这个功能逻辑变更的房间的规模一起，作为一个可能性的未来布局的支持。

根据不同程度的私人需要，这个房屋适应了土地的分层方式：私人房屋被街道隐藏起来，并且适应了可以给人们一种直接接触土地的感觉的地形。更多的公共空间临近街道，高度逐渐递增，直到它们超过地面的风景，并且朝向地平线的时候，处在了客房之上。一系列的小桥成为了不同区域之间的过渡元素，并适应了私人空间的不同级别。

整个房屋由一个木制的壳层包围着，产生了一个通风的幕墙和屋顶。中央庭院掌管了房屋花园的一部分。它包括一个可以使光照射到表面的光屋顶，这是一种包围着庭院的中国彩灯，可以允许家庭成员享受这个室外的房间。在根据空间的变化规律以及符合当地法律法规的情况下，木屋顶被安排的可以收集雨水并且可以直接将水流向院子里来灌溉花园。

有人出现在一个建筑公司中，并指出她的情况：“许多我最幸福的回忆都关联到不同的空间，例如在森林中心的一个容器，一个’高山型’的木房子，或者是过着被马或其他动物围绕着的生活。”回头想到这样的画面，这些体验都在过去发生在其他国家。建筑师的团队被委托于建立这些空间记忆的任务，并把它们转移到马德里郊外的一个新的空间。这个房子是为了回忆、希望和体验而后期制作的一个空间。工业化的建筑体系和干式结构木板的装配缩短了执行周期。今天，这有一片空的土地，但是在不到两周的时间内，房子就即将会出现了。

情节互动的不同方式被呈现出来了。从与环境有着直接接触的私人房间开始，到公共区域，这个有社会代表性的领域可以看到外面的景观，并可以从中获利。像歌曲中说的那样，“No tocarte y pasar todo el día junto a ti”（为了不碰触到你，花费一天的时间在你身边）。房屋的组织结构使它分裂成一个较小的房屋，而没有使用建筑的整体。一个房屋处在一个房屋的内部。这个项目包括基本完成的支持结构，它是由几个元素组成的。最后的使用者将在以后的日子中完成房屋。房子本身是硬件。每天的实践是它的软件。

这个项目的执行是基于建筑系统的规则，它是基于一个零件包的装配。工业化的体系努力的将结构的一部分转移成工场。这个项目到处充满了细节。建设变成了生产。房子的模块化系统需要一个功能性的灵活的组织，在可能的情况下，它可以改变房间的分布。建筑就像一个游戏场：生活需要移动。

Floor plan 平面图


Site plan 总平面图


Section 局部图


Section 局部图


North elevation 北侧立视图

特别鸣谢翻译一组4号 李鹤 提供的翻译，译稿版权归译者所有，转载请注明出处。

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Architects: Elii
Location: Pedrezuela, Madrid, Spain
Design Team: Uriel Fogué, Eva Gil, Carlos Palacios
Collaborator: Enrico Forestieri
Client: Isabel Rodríguez Hurtado
Surveyor: Samuel Escudero
Area: 210.9 sqm
Year: 2011
Photographs: Miguel de Guzmán

This house is located in a 1,316 m2 sloping plot of land in the district of Pedrezuela, 45 km north of Madrid. There is little to no vegetation in the section closest to the street, which nevertheless provides a good viewpoint on the surrounding lush natural landscape. The building is made up of seven wooden-structure modules symmetrically identical surrounding a central court. Each module is dedicated to a different domestic situation, according to its functional needs. The modular structure, as well as the scale of the rooms allows the alteration of this functional logic, serving as a support for possible future layouts.

The house adapts to the plot of land in a layered fashion depending on the different degrees of privacy needed: private rooms are hidden from the street and adapt to the terrain giving a feeling of being in direct contact with the plot. The more public spaces are closer to the street and gain height gradually, until they tower over the landscape and look towards the horizon over the rest of the rooms. A series of small bridges serve as transition elements between the different areas and accommodate the different levels of privacy.

The ensemble is closed by a wooden envelope, generating a ventilated façade and roof. The central courtyard takes over part of the house’s garden. It includes a light roof that gives light to the façade, a sort of Chinese lantern that envelops the courtyard and allows the members of the household to enjoy this outside room. The wooden roofs are arranged according to a spatial variation law which, as well as conforming to local regulations, collects rain water and directs it to the courtyard to water the garden.

Somebody turns up at an architectural firm and states her case: “many of my happiest memories are associated to different spaces, such as a container in the middle of a forest, an “alpine type” wooden house, or living surrounded by horses and other animals”. Some of these experiences, backed with images, took place in the past and in other countries. The team of architects was entrusted with the task of editing these spatial memories and transferring them to a new space in the outskirts of Madrid. The house is a post-production space for memories, desires and experiences. The industrialised building system and the assembly of the dry-mount structural wooden panels shorten the execution periods. There is an empty plot of land today, but, in less than two weeks, a house will have appeared.

The Project is executed based on the rules set by the building system, which is based on the assembly of a parts-kit. The industrialised system transfers part of the construction effort to the workshop.The program is organised around detail. Construction becomes production. The modular system of the house entails a functional, flexible organization that makes the alteration of the distribution of the rooms possible. Architecture as a game field: To live is to make a move.

Different ways of interacting with the plot are presented. From the private rooms, which are in direct contact with the environment, to the public areas, the areas of social representation which look out into the landscape and profit from the views. Like the song says, “No tocarte y pasar todo el día junto a ti”(To not touch you and spend the day by your side). The organisation of the house allows the house to be fragmented into a smaller one without using the whole of the building. A house within a house. The Project includes the construction of a support made of elementary finishes made up of few elements. The end user will finish the house at a later date. The house itself is the hardware. Daily practices are its software.