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© Bitter Bredt

建筑事务所：丹尼尔•里伯斯金德工作室（Studio Daniel Libeskind） 地点：丹佛，科罗拉多州，美国 合资伙伴：戴维斯伙伴公司 承包商：M.A Mortensen Co.（科罗拉多州） 结构工程：奥雅纳（洛杉矶） 结构连接设计：结构工程顾问有限公司 土木工程：樱佐藤及联营公司 机械空气：奥雅纳（洛杉矶） 机械/电气：MKK工程师及奥雅纳（洛杉矶） 室内设计师：Studio Daniel Libeskind with Davis Partnership 景观建筑师：Studio Daniel Libeskind with Davis Partnership 照明顾问：乔治塞克斯顿及联营公司 戏剧顾问：Auerbach Pollock Friedlander 声学顾问：奥雅纳（洛杉矶） 外幕墙顾问：Consultant: Gordon H Smith, ARUP, BCE 项目面积：146,000平方英尺 项目年份：2006年 摄影：Bitter Bredt, DAM, SDL, Michele Nastasi

Architects: Studio Daniel Libeskind Location: Denver, Colorado, USA Joint Venture Partner: Davis Partnership Contractor: M.A Mortensen Co. (Colorado) Structural Engineer: Arup (Los Angeles) Structural Connection Design: Structural Consultants, Inc. Civil Engineers: JF Sato and Associates Mechanical Air: Arup-Los Angeles Mechanical/Electrical: MKK Engineers and Arup (Los Angeles) Interior Designers: Studio Daniel Libeskind with Davis Partnership Landscape Architects: Studio Daniel Libeskind with Davis Partnership Lighting Consultant: George Sexton and Associates Theater Consultant: Auerbach Pollock Friedlander Acoustical Consultant: ARUP (Los Angeles) Exterior Façade Consultant: Gordon H Smith, ARUP, BCE; Project Area: 146,000 sq ft Project Year: 2006 Photographs: Bitter Bredt, DAM, SDL, Michele Nastasi

© Bitter Bredt

丹佛美术馆新馆，也称Frederic C. Hamilton楼，是在意大利建筑师Gio Ponti设计的原美术馆建筑基础上进行的扩建项目。受到丹佛市的活力和成长力的激发，新馆不仅展示当代艺术作品，也展示海洋艺术及非洲艺术作品。这个扩建项目在2006年10月建成开放，是Davis Partnership Architects、Architect of Record和M.A. Mortensen Co.合作完成的项目。 The Extension to the Denver Art Museum, The Frederic C. Hamilton Building, is an expansion and addition to the existing museum, designed by the Italian Architect Gio Ponti. Inspired by the vitality and growth of Denver, the addition currently houses the Modern and Contemporary art collections as well as the collection of Oceanic and African Art. The extension, which opened in October 2006, was a joint venture with Davis Partnership Architects, the Architect of Record, working with M.A. Mortensen Co.

© Bitter Bredt

为了顺利完成这次扩建，Studio Daniel Libeskind 设计事务所和导演、策展人、展览的核心团队、相关事务所和受托人委员会成员密切合作，最终扩建圆满完成。新馆刚一开放，就成为丹佛一座主要的文化地标，吸引了成千上万的参观者前来参观。 To complete the vision for the extension Studio Daniel Libeskind worked closely with the director, curators, core exhibition team, the contract architect and the Board of Trustees. Since its opening, the new building has become a major cultural landmark for Denver, attracting thousands of visitors to the museum complex.

© Michele Nastasi

扩建场馆无论从功能上还是建筑美学上都与旧馆紧密相连，同样与市政中心及公共图书馆形成网络。这栋新的建筑某种程度上像是城市的枢纽，把闹市区、市政中心紧密连接在一起，形成一个强有力的金三角地带。这个项目没有被设计成一个孤立的建筑体，而是作为发展中的丹佛的公共空间、古迹和门户——这个城市整体的一部分而存在，并为周围辽阔却亲密的空间增加一抹风景。 "Nexus is conceived in close connection with the function and aesthetic of the existing Ponti museum, as well as the entire Civic Center and public library. The new building is a kind of city hub, tying together downtown, the Civic Center, and forming a strong connection to the golden triangle neighborhood. The project is not designed as a stand alone building, but as part of a composition of public spaces, monuments and gateways in this developing part of the city, contributing to the synergy amongst neighbors, large and intimate.

© Bitter Bredt

建筑材料在极近融入原有的风格的基础上，也引进了创新性的材料，这样新旧搭配，将丹佛的传统带到了21世纪。如钛金面板覆盖着整栋大厦的表面，折射着科罗拉多明亮的阳光。 "The materials of the building closely relate to the existing context as well as innovative new materials (such as titanium) which together will form spaces that connect local Denver tradition to the 21st Century.

© Bitter Bredt

从创立至今的丹佛能够成长如此之快、焕发出惊人的生命力，深深地影响着新馆的风格。同时，通过当地的宏伟地形、天空的壮丽景色、落基山脉、建筑的气魄和景观的浪漫主义之间的对话，创造出了世界上一个独一无二的地方。公众在铸就本土文化、城市意气风发的命运方面的大胆和前瞻性的参与足以另任何人在踏上科罗拉多的土地的一霎那就被深深震撼。 "The amazing vitality and growth of Denver -- from its foundation to the present -- inspires the form of the new museum. Coupled with the magnificent topography with its breathtaking views of the sky and the Rocky Mountains, the dialogue between the boldness of construction and the romanticism of the landscape creates a unique place in the world. The bold and forward looking engagement of the public in forging its own cultural, urban and spirited destiny is something that would strike anyone upon touching the soil of Colorado.

© Bitter Bredt

“建造该项目的一个挑战就是丹佛美术馆怎样运转，从而完成特殊范围内照明、着色、大气效应以及这个城市独有的温度和天气条件之间的转换。我坚信这些条件不仅在功能和物理上，而且在文化和体验上与游客的体验完美结合。 "One of the challenges of building the Denver Art Museum was to work closely and respond to the extraordinary range of transformations in light, coloration, atmospheric effects, temperature and weather conditions unique to this City. I insisted these be integrated not only functionally and physically, but culturally and experientially for the benefit of the visitors' experience.

© Bitter Bredt

新建筑并不是建立在一种想象的风格、固有意识或外在形态的基础上，因为其体系结构不会将内部和外部分开，或者典型的建筑后面只是一个漂亮的外观。而是很大程度上将建筑师和公众在智慧、情感和感性方面有机联系在一起。公众从建筑上获得的享受和熏陶是遵循建筑的手工制作的性质以及手、眼、心合一的感受。毕竟，建筑的语言除了文字本身，更重要的是光线、比例和材料的完美契合。 "The new building is not based on an idea of style or the rehashing of ready made ideas or external shape because its architecture does not separate the inside from the outside or provide a pretty facade behind which a typical experience exists; rather this architecture has an organic connection to the public at large and to those aspects of experience that are also intellectual, emotional, and sensual. The integration of these dimensions for the enjoyment and edification of the public is achieved in a building that respects the hand crafted nature of architecture and its immediate communication from the hand, to the eye, to the mind. After all, the language of architecture beyond words themselves is the laughter of light, proportion and materiality."

© Bitter Bredt

© Bitter Bredt

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© Bitter Bredt